Author Nate Zoebl

Promising Young Woman is a definite conversation-starter and the first thing you might say upon its conclusion is a breathless exclamation of, “Wow.”

Wonder Woman 1984 is fun, splashy, and doesn’t lose sight of its characters and their emotional states even as it elevates the world-annihilation stakes.

Tenet is a headache disguised as a movie.

I’m Your Woman does for the gangster/crime genre what You Were Never Really Here did for the loner revenge thriller.

Let Run serve as a prime example of how you can take a simple story and create a lean, mean thriller that provides doses of satisfaction and triumph.

Spontaneous is a coming-of-age drama with equal parts ache and warmth, gallows humor and personal insight.

Antebellum is divided almost equally into 30-minute thirds, and it’s the structure that helps to aid in its mystery while also stifling its larger implications.

We didn’t need a third Bill and Ted big screen adventure but I’m happy that it still feels, even thirty years later, remarkably like Bill and Ted.

The movie Ava was never meant to have this title.

The Project Power playbook is pretty familiar and underwhelming in its creativity and development.

The new indie thriller is an uncanny and unexpected reflection of our uncertain times and it makes She Dies Tomorrow even more resonant.

Palm Springs is a delightful new sci-fi rom-com bursting with imagination.

The Last Days of American Crime is a staggering waste of 150 minutes.

With every conceivable level of filmmaking and storytelling, Verotika shows that Danzig is not remotely ready for the big screen.

If you’ve ever wanted to watch a disappointing 90s indie crime version of Waiting for Godot, then Among Them is chief among them.

I’m glad Netflix is able to bring small, strange, foreign movies like The Platform to, arguably, the biggest audience platform in the world.

The Hunt might have been cursed with bad luck but it also might have the distinction of the last new movie in theaters in what is proving to be an increasingly challenged year of content.

Guns Akimbo is easy on the brain and maybe a little too easy on itself.

The Invisible Man is the first great film of the new year and the new decade.

Color Out of Space is a mostly successful, eerie, and occasionally stomach-churning little horror movie.