Colossal (2017)

Colossal is a different kind of monster movie, that’s for certain. It’s got a dynamite premise that allows for plenty of different tones.

Free Fire (2017)

Free Fire wants to be a scuzzy, crazy, fun movie that knows it’s trashy and revels in its bad taste and loony characters with nose-thumbing glee.

Get Out (2017)

Get Out is a timely movie but also timeless, thanks to how brilliantly conceived, developed, and executed Peel’s movie performs.

Split (2017)

The areas where Split is able to shine that would have normally doomed the Middle Period Shyamalan are in the realms of tone, execution, and ambition.

Blair Witch (2016)

Much can be forgiven if a scary movie delivers the spine-tingling goods, and standing in the shadow of one of the biggest horror hits of all time is no easy proposition.

Don’t Breathe (2016)

The suspense in Don’t Breathe is deliciously developed and tautly executed, taking a premise that sounds silly on paper and wringing every juicy suspenseful morsel out of it.