Movies

As far as directorial debuts go, The Girl in the Crawlspace is a strong one.

Overall, Godzilla: King of the Monsters is a triumph.

Dammit, Marvel Studios. You've gone and ruined these dumbass X-Men movies for me.

What we get with Dark Phoenix is a woman who glows a lot thanks to an inscrutable pink space cloud.

Brightburn takes the Superman mythos and twists it into a creepy horror film.

The action in John Wick 3 is mind-blowing, especially in scenes where it lets itself breathe and be as creative as possible.

If you’re coming to John Wick 3 for another heaping of high-quality action, you won’t leave disappointed on that front.

Scary Stories: A Documentary inspires going back to reread the series, making your own art, defending literature from censorship, and flying your horror freak-flag.

So, I’ve referenced Gilliam, Jodorowsky, Troma, Peter Jackson, Kafka, and David Lynch so far, and the finale brought the grotesque excess of Yoshihiro Nishimura’s Tokyo Gore Police. I should FUCKING LOVE this movie and want to have its babies.

Avengers: Endgame might just be the finest film released under the MCU banner.

How do I ever begin to describe the events of Marvel’s culminating blockbuster Avengers: Endgame without stepping too far into the dark and dangerous territory of the accursed spoilers?

I would almost recommend watching the new Hellboy reboot for the same reasons I would Jupiter Ascending.

Having watched Hellboy this weekend, the extremely poor reviews feel a bit vindictive.

I’m keeping things light in this review for the reason that I want you, dear reader, to be surprised by the many twists and turns of Dragged Across Concrete.

For fans of King, or fans of genre horror, there may be enough standard thrills and chills to enjoy the new Pet Sematary.

SHAZAM! is a big, fun flick that should serve to give us all hope for the future of the DCEU.

Perhaps the most interesting aspect of Depraved, is that it in no real way attempts to live up to the salaciousness of its title.

Us is another tour de force in tonal horror that has a core of social commentary running through it.

Us is more a straight horror film and has plenty of excellent, terrifying, and smartly directed scenes to make an audience squirm in their seat.

What Destroyer almost does, but doesn't quite, is use the flashback as a parallel narrative.