Lost in Translation 175: … and the Weird.

Continuing the retrospective, this week, Lost in Translation looks at the oddities. These are movies that defied expectations and became a challenge to analyze and review. Unlike the Good and the Bad, the Weird show how adaptations can misfire and still cleave close to the original work. Once again, the list is presented in no particular order.

Gnomeo & Juliet
For a movie aimed at children and promising to tell Shakespeare’s tale in a different way, Gnomeo & Juliet remained faithful despite the use of garden gnomes. Even the opening monologue came from the original play. The story only really deviates after William Shakespeare himself appears. The result was surprisingly entertaining and accessible, with background gags reflective of other Shakespearean plays.

Speed Racer
The biggest failing Speed Racer had was trying too hard to recreate the original. The movie is live action anime, with the Wachowskis putting in an effort to not just recreate the characters but also the appearance and animation style of the TV series. The casting was note perfect, and the soundtrack used the original Speed Racer theme. The movie turned out to be far more animated than the original and managed to make Spirtle and Chim-Chim key characters without making them annoying. The Wachowskis could have dialed things down a notch and not have lost details.

Phantom of the Paradise
Two adaptations in one, Phantom of the Paradise worked from both The Phantom of the Opera and Faust. A tale of obsession and desire, Phantom moves both original works from their eras to the then-modern 70s, keeping the core of both while changing the trappings.

Battle Beyond the Stars
By all rights, a low-budget B-movie trying to cash in on the popularity of Star Wars should have been a disaster. Battle Beyond the Stars punched above its weight class, though, in an adaptation of The Seven Samurai by way of The Magnificent Seven. Creative use of the budget and budding young filmmakers, including James Cameron and Gale Anne Hurd, lifted the movie up to the point where it kept the core of the original work even while placing the story in space.

Howard the Duck
Howard the Duck wasn’t a good movie. Technical limitations meant animatronics and people in duck suits that barely looked like the comic book Howard if the audience squinted. Character backgrounds changed; Beverly became an up-and-coming rock star instead of a nude model, and the being responsible changed from Thog the Nether-Spawn to mad scientist, Dr. Jennings. There was no PG-13 rating yet when the movie was first released; it earned a PG rating with Howard smoking cigars and implied duck/human sex. However, the movie kept the relationship between Howard and Beverly and kept to the idea of a duck alone in a strange world. Howard the Duck wasn’t a good adaptation, but it wasn’t a complete write-off, unlike last week’s list.

This article was originally published to Seventh Sanctum.

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