• PDI Press

    PDI Press

    BETTY WHITE VS THE STUPID WORLD: The Movie

    PDI Press
    January 17, 2022 1

    Betty White Vs the Stupid World (Chapter Seven)

    PDI Press
    January 16, 2022

    Betty White Vs the Stupid World (Chapter Six)

    PDI Press
    January 15, 2022 3

    Featured

    BETTY WHITE VS THE STUPID WORLD: The Movie

    John E. Meredith
    PDI Press
    January 17, 2022 1
    • PDI Press Catalog
    • PDI Press Writers
      • Fiction
  • Columns A-D
    • A Fistful of Dollar Comics
    • ABCs of Horror
    • All Binge… No Purge
    • Anything Joes
    • Beautiful Creatures
    • Big Eyes Smart Mouth
    • Big Sleeps and Long Goodbyes
    • Cahiers du Horror
    • Dispatches From the Field
    • Drive-In Saturday
    • Dungeons & D-Listers
  • Columns F-P
    • The Final Girl
    • First Looks… Second Thoughts
    • The Flesh is Weak
    • Innocence and Experience
    • Lost in Translation
    • Marvel at the Movies
    • Muppets 101
    • Page to Screen
    • Popcorn Cinema
    • The Psycho Drive-In Podcast
    • Psycho Essentials: The ’80s!
  • Columns S-Z
    • Schlock & Awe
    • Shakespeare on Film
    • Shot for Shot
    • Sick Flix
    • Unnatural Selections
    • Versus
    • Video Word Made Flesh
    • We Got Lists
    • Women in Horror
    • The Xeno File
    • Zombies 101
  • Reviews

    Reviews

    Havoc (2025) / Novocaine (2025)

    Reviews
    May 16, 2025 2

    Thunderbolts* (2025)

    Reviews
    May 3, 2025 44

    Regular Show: The Complete Series DVD Review

    Reviews
    February 9, 2025 77

    Featured

    Havoc (2025) / Novocaine (2025)

    Nate Zoebl
    Reviews
    May 16, 2025 2
    • Books
    • Comics
    • DVD/Blu-ray
    • Movies
    • TV
    • Series
  • Interviews

    Interviews

    Interview with Indie Horror Master, Chris Bickel

    Interviews
    July 13, 2018 397

    David Black: Carnies, Carnage, and the Creative Chaos of Darkness Visible

    Interviews
    March 7, 2017 223

    Jaiden Kaine joins the Marvel Universe as new Luke Cage baddie, Zip

    Interviews
    September 29, 2016 8

    SDCC 2016 Interviews: The Cast and Creators of Batman: The Killing Joke

    Interviews
    July 28, 2016 61

    SDCC 2016 Interviews: The Cast and Creators of Syfy’s Van Helsing

    Interviews
    July 27, 2016 3

    Wondercon Interview: The Cast of Damien

    Interviews
    April 16, 2016 3

    Featured

    Interview with Indie Horror Master, Chris Bickel

    The Final Girl
    Interviews
    July 13, 2018 397
  • News

    News

    Regular Show: The Complete Series DVD is here!

    News
    February 9, 2025 18

    “PATER NOSTER AND THE MISSION OF LIGHT” UNLEASHES TERRIFYING UNDERGROUND HORROR – A PSYCHEDELIC CULT MOVIE EXPERIENCE COMING SOON!

    News
    November 15, 2023 74

    Breaking Down The Upcoming DC Studios Slate

    Shot for Shot
    February 1, 2023

    Featured

    Regular Show: The Complete Series DVD is here!

    Paul Brian McCoy
    News
    February 9, 2025 18
    • Trailers
  • Psychos
  • Shop
Breaking
  • Havoc (2025) / Novocaine (2025)
  • Thunderbolts* (2025)
  • Regular Show: The Complete Series DVD Review
  • Furiosa: A Mad Max Saga (2024)
  • RSS
  • Facebook
  • Instagram
  • Twitter
  • Tumblr
  • Who We Be
  • Contact
    Home
    Columns
    Shot for Shot

    House of Cards Season 4: Claire Reclaims the Throne

    The Final Girl
    Shot for Shot
    March 12, 2016

    Warning: Spoilers Ahead

    Season 4 restores important parts of the House of Cards universe that Season 3 so carelessly shattered. This season, there are attempted assassinations, blackmail, badass vengeance, and actual gender equality. There’s even a narcissistic, blonde, GOP front-runner who calls his wife weak for questioning his douchebaggery. We get to watch a 2016 election where the NSA gets turned on the NRA–an election where First Lady, Claire Underwood can run for Vice President.

    This season even has Neve Campbell, Scream’s badass Final Girl as Claire’s campaign manager, Leann Harvey. Feminist AF.

    HoCS4-02

    It’s 2016 and an emasculated Frank fights to win Claire back as Remy Danton struggles to keep his lover, Jackie Sharpe. The subversion of gender roles that made this show interesting in Season 1 is back with a vengeance. The POTUS is groveling at the feet of the First Lady while war veteran and badass feminist, Jackie remains in control of her relationship with Remy. It’s Remy who almost texts, “I miss you” then quickly deletes the phrase, careful not to get too emotionally invested. This is a nice role-reversal from the traditional trope where women are afraid be dominant or send a text after sex.

    Getting to see these intimate moments is what makes Season 4 so awesome. It hearkens back to Season 1 when the Underwoods were everyone’s favorite, sexually-liberated, Machiavellian couple. Before Frank wins Claire back, we watch him yell at White House aides for mistakes they didn’t make. With his strained tone and drained face, it becomes clear that Frank cannot function without Claire.

    And that’s just what he admits to his wife, that he was wrong, that it is he who needs her. Frank ultimately wins Claire back and puts her on the presidential ticket for 2016 as his Vice President. This is a refreshingly stark contrast to the sexist behavior we saw from Frank last season. To review, the only feminist in Season 3 was the prostitute who got offed in the desert.

    R.I.P. Rachael Posner

    The hooker’s death wasn’t the only problem with Season 3. That season sucked. Hard. It was boring, anti-feminist, and stripped Claire of her agency.

    Last season, Frank also went half Charlie Sheen and abused Claire physically and emotionally. (A full Charlie Sheen involves gun-shots, death threats, and a Malibu mansion). Are we supposed to be impressed that Frank only grabbed his partner’s face and didn’t try to throw her out of a moving car (like Chris Brown did to Rihanna)?

    Not only did Season 3 Frank put down Claire, he put down women. Frank took down Claire, Jackie, and had Rachael killed. He used women as means to an end, exploiting their failures for personal gain.

    “Without me—you are nothing” he screamed at Claire, last season, nearly choking her with force.

    “Francis,” Claire countered, “I’m leaving you.”

    Leaving

    And with that line, Season 3 gave Claire a mere 30 seconds of feminism in a show that used to feature gender equality. Even then, the power to end a relationship isn’t exactly the grandest of feminist movements.

    One brilliant writer explicated this female subjugation in, Does House of Cards S3 have a Claire Problem or a Woman Problem?

    Of Season 3, he writes, “Claire is essentially relegated to the role of cheerleader, suddenly powerless and adrift, and the series suffers along with her. The women of Season Three are degraded, sacrificed, and tossed away… I’m afraid that the writers’ Claire Problem is really a Woman Problem that House of Cards may not be able to fix.”

    Thankfully, Season 4 Frank reverts to his logical self, treating Claire like the equal she is. Claire and Frank live together but afford each other freedom and respect. Yes, Claire gets to have sex with the hot, bearded fiction writer from last season, but she also gets her well-deserved dignity back. This allows the Underwoods to rule as equals. Female sexuality in itself is not feminism, but Claire’s relationship with the writer shows Frank’s trust in her.

    Something I’ve always loved about Claire is her subversion of traditional female gender roles. Some have commented on the obvious short haircut and plainly-styled dresses as evidence of Claire’s feminism. Yet what feminism is truly about, is women being treated as equals, instead of being silenced, beaten, raped, or killed. Yes, Claire has short hair but that’s merely a surface-level style choice.

    Claire doesn’t give a fuck what anyone thinks. The dresses, the hair, it’s just a distraction. Who Claire really is deep down transcends photo ops and fashion choices. Her real feminism comes from her ability to interrogate a suspected terrorist in Gitmo, fight for women’s rights, and intimidate House of Card’s own Putin, Viktor Petrov.

    We get to see the power of equality in the Underwoods’ partnership as it is contrasted with fellow Presidential hopeful, Will Conway. Will and his wife serve to show us just how great Claire has it as a woman in the Underwood cabinet. Will Conway, a traditionally attractive douchebag, denigrates, silences and chastises his wife at every turn. Conway makes it clear that women, much like purchased private data, are nothing more than campaign strategies.

    Will Conway is basically the lovechild of Donald Trump, the NSA, and Paul Ryan, trapped in the body of a CW heartthrob. It’s a fascinating choice by the writers and shows just how great of a partner Frank really is to Claire. Frank may be Machiavellian, but at least he sees women as actual human beings. Will Conway is the epitome of the family values contradiction.

    HoCS4-Will

    He streams his “life” to the public, showcasing his WASP-y family, (conveniently) leaving out the part where he threatens his wife. Will Conway is the candidate current Republicans probably wish they had. He’s repulsive, but at least he’s not racist, I guess?

    Then there’s the Underwoods—who never claim to have “family values” but actually do. Frank is pro-choice, pro-woman, and no longer relegates Claire to a status beneath his own. In this season, Frank is the Democratic feminist, pitted up against a conservative douchebag. This season it’s Conway attempting to slash entitlements, not Frank.

    It is this shift of power, that lets the Underwoods be the badasses they’ve always been. Will Conway and his wife are disgustingly open about their love for their children, politicizing kids for a few votes. This serves as a great contrast to the cold and calculating relationship the Underwoods have. While Will Conway wants to use his wife to take over the world, Frank wants to take over the world with his wife.

    This cold calculating really drives the season and makes it Shakespearean (when people lie and fuck each other over for power). We are able to see Claire as the strong, passionate politician she’s always been. Unlike last season, Claire’s character is truly revealed, especially when her mother falls seriously ill.

    While Leann (Neve Campbell) does Claire’s bidding, Claire faces the imminent loss of his mother. While Claire feels she has dealt with the death of her father, she has never truly processed her relationship with her mother (Ellen Burstyn). Throughout the season, Claire vacillates between ignoring her dying mother and struggling to patch up their relationship. At one point Claire is even faced with the decision whether to end her mother’s life who’s suffering from cancer.

    Frank expresses rightful concern for Claire’s sociopathic response to her mother’s ailing health.

    “When I look at my mother, I feel nothing,” Claire says, looking off despondently.

    Claire’s face doesn’t change. “It’s what she wanted,” is all she says, speaking to her role in her mother’s assisted suicide. But when her mother finally dies, Claire allows herself to feel. She cries softly, and even lets the writer, Thomas, hold her hand.

    HoCS4-Burstyn

    Yet this is Claire Underwood and she’s not going to process those feelings. She changes the context of Tom’s hand, leading it upstairs to the bedroom.

    Did you think Claire was going to sit there and cry?

    Of course not. Claire Underwood is a brilliant mastermind with a penchant for repression. Instead of using her brilliance to deal with her mother’s death, she uses it to suppress her emotions.

    Why mourn the dead when you can fuck a writer?

    They awake in the morning, bathed in sunlight. Usually to Claire, Tom is more than sex. She shares a genuine connection with him reminiscent of her days with the painter. But Claire can’t afford any human connection right now. Her mother’s gone and she uses him to suppress the pain.

    In the morning light, she is faced with the reality of her mother’s absence.

    “I should get going” she says, avoiding any semblance of human emotion.

    Tom and Claire look outside, as her mother’s body is loaded into a hearse. Claire watches on, stoically, as if the hearse were nothing more than a plastic bag. Now that Claire is officially an orphan, she has even more motivation to bury herself in her career. I’m not arguing that sociopathic repression is a laudable feminist quality. But it’s a nice change, to see a woman deal with loss her own way, not the stereotypical Hollywood way with wine and ice cream.

    Claire watches her mother’s casket get hauled away and she doesn’t fall to the fetal position in a heap of tears. She doesn’t need a man to comfort her, she needs a seat in the White House. I think it’s that assertiveness that makes Claire such a badass feminist. Most of what Claire does in this season is not psychologically healthy, but it’s assertive.

    That assertiveness and confidence is what propels Claire’s Vice Presidential run as a populist movement. “Loss makes us reevaluate what we hold dear” Claire opens up to a crowd on the campaign trail. She’s honest, open, and strong, and the crowd loves her. Unlike the GOP frontrunner’s wife, Mrs. Conway, Claire has independence. That self-advocacy and badassery is clear in one of my favorite Claire lines. Clearly uncomfortable with Claire’s modern ideas on a childless marriage, Mrs. Conway questions her.

    “Do you ever regret not having them [children]? Mrs. Conway asks with judgment.

    “Do you ever regret having them? Claire retorts.

    Damn. Sick burn, Claire.

    HoCS4-Claire

    The Underwoods contrast to the “family values” Conways allows us to see both couples on a deeper level. Will Conway never lets his wife make a single decision while Frank champions for Claire at every turn. Although Claire has a Marco Rubio sized-political resume, she can run diplomatic circles around most men in Washington.

    Claire can negotiate with accused terrorists, out-lobby the fictional Putin, all while remaining fierce, cool, and collected. Frank and Claire no longer rule like a king a queen, with Claire constantly at Frank’s feet.

    Some argue it’s the shocking and brutal attempt on Frank’s life that allows Claire to put their relationship in perspective. Whether or not Claire was on the cusp of leaving Frank again, she’s here to stay after the shooting.

    Oh yeah, minor detail, remember the ginger Frank offed a few season back? And her deranged ex-boyfriend who got arrested for hacking his way to the truth? Yeah he gets out of jail, gets a gun, and dies in an assassination attempt on President Underwood.

    After the shooting, Claire rushes to Frank’s side and helps him through a brutal recovery process. After losing both her parents, maybe Claire can’t bear the thought of losing Frank again.

    This season proves that Frank and Claire have a deep respect for each other that goes beyond the White House. That deep respect and desire for success for one’s partner is something that transcends gender. Frank and Claire reinvent the modern relationship and it’s pretty damn cool.

    Yes, Frank killed a chick a few seasons back and grabbed Claire viciously last season. But this season he’s allowed himself to be vulnerable, and finally understands that power is not gendered. Power must be fought for with allies, and that’s exactly what Frank and Claire are to each other.

    Seeing Claire and Frank Underwood on the same level, irrespective of gender, gives me hope for female TV characters in the future. Instead of being portrayed as sex objects, waiting to be raped (Game of Thrones), women in House of Cards, get real thrones and real power.

    And with that real power comes real influence. “We can win with fear” is the new Underwood motto for the 2016 election. Claire decides she is, “done trying to win over people’s hearts.” Taking a page right out of the 2001 Bush/Cheney playbook, the Underwoods watch Americans get killed, then plan to ease the American people with the sophistry of words like “terror” and “freedom.”

    HoCS4-03

    The final scene shows Frank and Claire looking out, perhaps at their future together. Frank and Claire Underwood 2016. Leann (Neve Campbell) is ready for the fight, back at the White House with Doug and Seth. Using the abduction of civilian James Miller by terrorists as a means to consolidate support, Claire and Frank let the extremists slice James’ throat.

    Luckily, they don’t show the three white men cutting the hostage’s throat, because this is Netflix, not the media’s coverage of ISIS.

    Claire Underwood has the support of her loving husband, the President of the United States, and a clear path to the Vice Presidency. All Frank and Claire have to do to win the election is politicize terrorist attacks. How hard could that be?

    Frank

    (Visited 222 times, 1 visits today)

    Related

    House of CardsKevin SpaceyNeve CampbellRobin WrightThe Final Girl

    FacebookTwitterPinterestEmail
    Previous Popcorn Cinema: One Step Beyond
    Next Better Call Saul 2.04 “Gloves Off”
    monsterid
    The Final Girl
    The Final Girl is a feminist horror critic.

    Related Posts

    Does the Black Phone Suck or am I Depressed?

    The Final Girl
    Reviews
    October 20, 2022 31

    In Defense of Thirteen Reasons Why

    The Final Girl
    Shot for Shot
    August 7, 2020 7

    Daily Top Ten

    • i-spit-on-your-grave-09The Final Girl: I Spit on Your Grave (2010) by The Final Girl
    • havoc-novacaine-headerHavoc (2025) / Novocaine (2025) by Nate Zoebl
    • Paige HoneyThe Americans 3.11 “One Day in the Life of Anton Baklanov” by Thom V. Young
    • fangoria-porno-04Fangoria presents Porno (2019) by Fred L. Taulbee Jr.
    • comet-tv-logoComet TV January 2017 Broadcast Schedule! by Psychodr
    • DS-headerDungeons & D-Listers: Deathstalker (1983) by Alex Wolfe
    • heavy-metal-2000-headerDrive-In Saturday: Heavy Metal 2000 (2000) by Alex Wolfe
    • amazing-bulk-03The Amazing Bulk (2012) by Fred L. Taulbee Jr.
    • boardwalk-empireBoardwalk Empire 3.10: “A Man, A Plan” by Jamil Scalese
    • Dead Pastor TimThe Americans 4.02 “Pastor Tim” by Thom V. Young
    400x400 GI Joe Funko Banner

    Weekly Top Ten

    • i-spit-on-your-grave-09The Final Girl: I Spit on Your Grave (2010) by The Final Girl
    • AT606-visionAdventure Time 6.06 “Breezy” by Dave Hearn
    • hills-2-headerThe Hills Have Eyes Part 2 (1984) vs The Hills Have… by Corin Totin
    • patty-mullen-headerWomen in Horror: Patty Mullen by Fred L. Taulbee Jr.
    • DS-headerDungeons & D-Listers: Deathstalker (1983) by Alex Wolfe
    • MacbethShakespeare’s Macbeth (2010) by Paul Brian McCoy
    • amazing-bulk-03The Amazing Bulk (2012) by Fred L. Taulbee Jr.
    • 2-headed-shark-attack-headerUnnatural Selections: Two-Headed Shark Attack (2012) by Brooke Brewer
    • tusk-06Tusk (2014) by Alex Wolfe
    • guinea-pig-6-headerSick Flix: Guinea Pig 6 – Mermaid in a Manhole (1988) by Corin Totin

    psychodrivein

    We came here to chew bubblegum and write intelligent reviews and commentary on cult TV and movies! And we're all out of bubblegum!

    Today at https://psychodrivein.com The Psycho Dri Today at https://psychodrivein.com

The Psycho Drive-In Podcast 03: Sinners

In this episode, Paul and John discuss their recent film binges, and review Sinners.
—
Listen to the boys at the link in our profile!

#ThePsychoDriveInPodcast #PsychoDriveIn #Sinners #RyanCoogler #MichaelBJordan #JackOConnell #HaileeSteinfeld #MilesCaton #DelroyLindo #WunmiMosaku #LiJunLi
    Today at https://psychodrivein.com Anything Joes: Today at https://psychodrivein.com

Anything Joes: S02E28 - File Card Focus: Recoil

Greg and Jaren take a deep dive into the world of Recoil?
—
Watch the @AnythingJoesPod guys at the link in our profile!

#AnythingJoes #GIJoes #FileCardFocus #Recoil
    Today at https://psychodrivein.com Thunderbolts* Today at https://psychodrivein.com

Thunderbolts* (2025)

But damn, the Thunderbolts* really got to me.
—
Read more of John’s review at the link in our profile!

#Thunderbolts #MarvelStudios #Marvel #FlorencePugh #SebastianStan #DavidHarbour #HannahJohnKamen #JuliaLouisDreyfus #LewisPullman #OlgaKurylenko #WyattRussell
    Today at https://psychodrivein.com Lost in Transl Today at https://psychodrivein.com

Lost in Translation 481: Hypothetical Firefly Remake

Firefly is definitely a cult classic, with word of mouth spreading awareness of the series.
—
Read more of Scott’s article at the link in our profile!

#LostInTranslation #Serenity #Firefly
    Today at https://psychodrivein.com Lost in Transl Today at https://psychodrivein.com

Lost in Translation 480: The Naked Gun (2025) 

Right now, this is all speculation. The true test will come when The Naked Gun is released.
—
Read more of Scott’s article at the link in our profile!

#LostInTranslation #TheNakedGun #LiamNeeson
    Today at https://psychodrivein.com Anything Joes: Today at https://psychodrivein.com

Anything Joes: S02E27 - Battle Armor Cobra Commander 

Greg & Jaren take a look at the newest Classified reveals, and Jaren reveals his weird ways to make new friends. 
—
Watch the @AnythingJoesPod guys at the link in our profile!

#AnythingJoes #GIJoe #GIJoeClassified #CobraCommander #BattleArmorCobraCommander
    Today at https://psychodrivein.com EZMM 2025 Day Today at https://psychodrivein.com

EZMM 2025 Day 9: Evil Dead Rise (2023) 

Evil Dead Rise is filled with practical effects and whatever is supported with digital enhancement is so smooth I was never taken out of a scene.
—
Read more of Paul’s review at the link in our profile!

#EZMM #EZMM2025 #EasterZombieMovieMarathon #EasterZombieMovieMarathon2025 #EvilDeadRise #BruceCampbell #SamRaimi #Zombies101 #zombies #LeeCronin #LilySullivan #AlyssaSutherland #MorganDavies #NellFisher #GabrielleEchols #RobTapert
    Today at https://psychodrivein.com EZMM 2025 Day Today at https://psychodrivein.com

EZMM 2025 Day 8: Ash vs Evil Dead (2018) S03E06-E10

And while Episodes Six through Eight were an improvement, it really wasn’t until the two-part finale that Ash vs Evil Dead firmly regained its footing.
—
Read more of Paul’s article at the link in our profile!

#EZMM #EZMM2025 #EasterZombieMovieMarathon #EasterZombieMovieMarathon2025 #AshVsEvilDead #BruceCampbell #DanaDeLorenzo #RaySantiago #LucyLawless #SamRaimi #Zombies101 #zombies #ArielleCarverONeill #KatrinaHobbs #LindsayFarris
    Today at https://psychodrivein.com EZMM 2025 Day Today at https://psychodrivein.com

EZMM 2025 Day 7: Ash vs Evil Dead (2018) S03E01-E05

Season Three of Ash vs Evil Dead is off to a rough start.
—
Read more of Paul’s article at the link in our profile!

#EZMM #EZMM2025 #EasterZombieMovieMarathon #EasterZombieMovieMarathon2025 #AshVsEvilDead #BruceCampbell #DanaDeLorenzo #RaySantiago #LeeMajors #LucyLawless #SamRaimi #Zombies101 #zombies #ArielleCarverONeill #KatrinaHobbs #LindsayFarris
    Follow on Instagram

    Look Who's Talking

    Shawn EH
    Shawn EH - 5/4/2025
    Thunderbolts* (2025)
    Yep, very well done; avoiding the big flashy battle that these heroes (can any of you fly?)...
    Ideonova
    Ideonova - 12/26/2024
    Page to Screen: F. Paul Wilson’s The Keep
    Not living up to the source material? What source material? The book is a predictable, at times...
    Fred L. Taulbee Jr.
    Fred L. Taulbee Jr. - 8/17/2024
    Cahiers du Horror 03: Frank Henenlotter and The Brain that Wouldn’t Die
    I need to see that again. Maybe make it a double feature with All of Me. Steve Martin is someone you...
    RSSTwitterFacebookinstagramtumblr

    Archives

    Large_rectangle_336X280
    • PDI Press
      • PDI Press Catalog
      • PDI Press Writers
        • Fiction
    • Columns A-D
      • A Fistful of Dollar Comics
      • ABCs of Horror
      • All Binge… No Purge
      • Anything Joes
      • Beautiful Creatures
      • Big Eyes Smart Mouth
      • Big Sleeps and Long Goodbyes
      • Cahiers du Horror
      • Dispatches From the Field
      • Drive-In Saturday
      • Dungeons & D-Listers
    • Columns F-P
      • The Final Girl
      • First Looks… Second Thoughts
      • The Flesh is Weak
      • Innocence and Experience
      • Lost in Translation
      • Marvel at the Movies
      • Muppets 101
      • Page to Screen
      • Popcorn Cinema
      • The Psycho Drive-In Podcast
      • Psycho Essentials: The ’80s!
    • Columns S-Z
      • Schlock & Awe
      • Shakespeare on Film
      • Shot for Shot
      • Sick Flix
      • Unnatural Selections
      • Versus
      • Video Word Made Flesh
      • We Got Lists
      • Women in Horror
      • The Xeno File
      • Zombies 101
    • Reviews
      • Books
      • Comics
      • DVD/Blu-ray
      • Movies
      • TV
      • Series
    • Interviews
    • News
      • Trailers
    • Psychos
    • Shop
    • PDI Press
      • PDI Press Catalog
      • PDI Press Writers
        • Fiction
    • Columns A-D
      • A Fistful of Dollar Comics
      • ABCs of Horror
      • All Binge… No Purge
      • Anything Joes
      • Beautiful Creatures
      • Big Eyes Smart Mouth
      • Big Sleeps and Long Goodbyes
      • Cahiers du Horror
      • Dispatches From the Field
      • Drive-In Saturday
      • Dungeons & D-Listers
    • Columns F-P
      • The Final Girl
      • First Looks… Second Thoughts
      • The Flesh is Weak
      • Innocence and Experience
      • Lost in Translation
      • Marvel at the Movies
      • Muppets 101
      • Page to Screen
      • Popcorn Cinema
      • The Psycho Drive-In Podcast
      • Psycho Essentials: The ’80s!
    • Columns S-Z
      • Schlock & Awe
      • Shakespeare on Film
      • Shot for Shot
      • Sick Flix
      • Unnatural Selections
      • Versus
      • Video Word Made Flesh
      • We Got Lists
      • Women in Horror
      • The Xeno File
      • Zombies 101
    • Reviews
      • Books
      • Comics
      • DVD/Blu-ray
      • Movies
      • TV
      • Series
    • Interviews
    • News
      • Trailers
    • Psychos
    • Shop
    Type to search or hit ESC to close
    See all results
    Username
    Password

    Prove your humanity


    Remember Me
    Lost password?
    Create an account
    Username
    Email
    Cancel
    Enter username or email
    Cancel