Lost in Translation 210: Deadpool

After last week’s look at works that adapt characters instead of stories, it’s a good time to examine such a work. Today, Deadpool.

The character Deadpool was created in 1990, with his first appearance in New Mutants #98, written by Rob Liefield and Fabien Nicieza. Deadpool’s main ability is much like Wolverine’s, a heightened healing factor, though with the Merc with the Mouth, it’s offset by cancer. The two characters are linked through the Weapon X project, the one that gave Wolverine his adamantium skeleton and Deadpool his accelerated healing. This combination has seriously unhinged Deadpool to the point where he thinks he’s a comic book character. His appearances are marked by his ability to break the fourth wall and talk to the readers directly. In his video game appearances, he has cheered on the player.

Deadpool’s first cinematic appearance was in X-Men Origins: Wolverine. The problem there, though, was that his mouth was sewn shut, so he couldn’t speak. He was also decapitated in the movie, though a post-credit sequence shows him picking up his head and telling the audience to “Shh.” Ryan Reynolds, who plays the Merc with the Mouth, admitted that it was wrong, so was eager to play him again, this time properly. Thus, the Deadpool movie released shortly before Valentine’s Day, 2016.

Deadpool set out to correct the problems with the character in X-Men Origins: Wolverine. Where the character had his mouth sewn shut previously, this time around, he talks non-stop, to the point of providing narration even into the post-credit sequence. The core plot hinges around Wade Wilson, Mr. Pool himself, trying to get the experiment that turned his Ryan Reynolds good looks into something that repulses people reversed. The man responsible, Francis, credited as Ajax*, played by Ed Skrein, provided the treatment that halted the spread of cancer through Wilson’s body, but didn’t remove it.

However, the core plot isn’t the only part of the story. There’s a romance as well, with Wade getting engaged to Vanessa, played by Morena Baccarin. Vanessa is the reason why Wade went into the Weapon X program – he didn’t want to leave her mourning him. This connection, though, puts Vanessa in danger near the end of the movie.

The movie is a superhero comedy that, instead of taking refuge in audacity, revels in it. Deadpool is also one of the most comic book movies made, alongside Scott Pilgrim vs the World. The film opens with the cinematic version of a two-page splash page. The credits that appear wouldn’t be out of place in one of Marvel’s lighter titles, like What The–?!, credits like “A Moody Teenager” – Negasonic Teenage Warhead played by Brianna Hildebrand, “A CGI Character” – Colossus voiced by Stefan Kapicic, and “A British Villain” – Francis. Deadpool himself narrates the story, stopping the action several times to address the audience directly. Not only does he break the fourth wall, at one point, he does so while breaking the fourth wall during a flashback.

Deadpool is an origins movie, though the character’s background isn’t as well-known as Superman’s or Spider-Man’s. The movie retells Deadpool’s background. However, remember that cinematic superhero universes are a thing. The movie isn’t accurate, but given it’s Wade narrating it and he believes he’s a comic book and, for the film, a superhero movie character, variances are allowed. Deadpool is structured much like a comic book. The opening shot, as mentioned above, acts as the two-page splash. Flashbacks fill in details. Narration adds extra information. The opening splash is revisited several times, once in the regular narrative flow, and at least once with a flashback.

The writers, Rhett Reese and Paul Wernick, pulled together the information on Deadpool’s origins and focused on his personality. Deadpool is more about the character than getting details of his history correct and presents Wade as the unhinged mutant seen in the comics. Any problems from X-Men Origins: Wolverine were erased, even called out and ridiculed by Wade himself. To emphasize that he believes he’s a character in a movie, Deadpool often comments on the film. A scene at the X-Men’s mansion has him commenting that, “It’s a big house. It’s funny that I only ever see two of you [Colossus and Negasonic]. It’s almost like the studio couldn’t afford another X-Man.”

The main potential point of failure was not getting Deadpool translated over to film. The movie managed to take the character concept and bring it from the pages to the silver screen while still keeping the core that made Deadpool popular.

* The name Ajax is used once. Even the DVD subtitles refer to him as Francis.

This article was originally published at Seventh Sanctum.

Thanks to our friends at Seventh Sanctum for letting us share this content.

Seventh Sanctum is a partner in Crossroads Alpha along with Psycho Drive-In.

See larger image Deadpool Blu-ray Hold onto your chimichangas, folks. From the studio that brought you all 3 Taken films comes DEADPOOL, the block-busting, fourth-wall-breaking masterpiece about Marvel Comics sexiest anti-hero: me! Go deep inside (I love that) my origin story…typical stuff…rogue experiment, accelerated healing powers, horrible disfigurement, red spandex, imminent revenge. Directed by overpaid tool Tim Miller, and starring God s perfect idiot Ryan Reynolds, Ed Skrein, Morena Baccarin, T. J. Miller and Gina Carano, DEADPOOL is a giddy slice of awesomeness packed with more twists than my enemies intestines and more action than prom night. Amazeballs! Bonus Features: Disc 1: Theatrical Feature Blu-ray **Deleted/Extended Scenes with Optional Audio Commentary by Director Tim Miller **Gag Reel **From Comics to Screen…to Screen **Gallery (Concept Art, Costumes, Storyboards, Pre-vis, Stunt-vis) **Deadpool s Fun Sack **Audio Commentary by Ryan Reynolds and Screenwriters Rhett Reese & Paul Wernick **Audio Commentary by Director Tim Miller and Deadpool Co-Creator/Comics Artist Rob Liefeld Disc 2: Theatrical Feature DVD **Gag Reel **Deadpool s Fun Sack Digital HD New From: $12.00 USD In Stock