Lost in Translation 235: Remaking Manos: The Hands of Fate

The MST3K Remakes:
Reptilicus
Danger!! Death Ray
Robot Holocaust
Manhunt in Space

Lost in Translation has looked at some of the easier movies featured on Mystery Science Theatre 3000 to remake and to watch. Time to amp up the difficulty and see if Manos: The Hands of Fate can be remade.

Manos is infamous on MST3K. The Mads took pity on Joel during the experiment, the movie was so dire. Netflix included the Manos episode in its lineup of classic MST3K. Thanks to that episode, the movie is far better known today. The movie began its existence after producer and director Harold P. Warren bet Stirling Silliphant, scriptwriter for Route 66 at the time that not only can anyone make a horror movie, he could make one on his own. Unfortunately, Warren won that bet. With a budget of just US$19,000, Warren wrote the script for, directed, and produced Manos.

The film follows a family of three, Michael (Warren), Margaret (Diane Mahree), and their daughter Debbie (Jackey Neyman), as their vacation takes a horrific turn when they stumble upon the home of the Master (Tom Neyman) and meet his servant, Torgo (John Reynolds). The Master runs a cult where he rules over his wives. Torgo “take[s] care of the place while the Master is gone.” As the young family is drawn deeper into the Master’s web, Torgo rebels. Ultimately, Debbie and Margaret become wives of the Master and Michael takes over Torgo’s role.

The budget doesn’t begin to describe how low end the production was. Warren rushed filming to make sure he could return the rented equipment on time. His camera could only record thirty-two seconds of film at a time. Lighting was limited, and many scenes were filmed at night because the actors had day jobs. The opening seven-minute car drive, which may have been meant to be used for opening credits, was just scenery. So, while Warren may have won the bet he had with Silliphant, he wasn’t successful at creating a horror film.

Yet, the core idea, the Master’s cult and how the family falls victim to it, is viable. It was the execution that turned Manos into what it is. The equipment problems that Warren had aren’t a factor for even student filmmakers. Digital video recorders with far longer record times than thirty-two seconds are available off the shelf as a consumer product. Editing software is available through open source projects. Special effects can be done with CGI if needed.

To remake Manos, start with the script. Clean it up with a few more drafts so that the dialogue doesn’t seem stilted. Keep the idea of Torgo as a satyr and imply that the Master has a link to the Winter Court of the fey, a touch of the supernatural for today’s audiences. Ramp up the tension and eerieness. The Master’s dog should look like it came from the depths of Hell, with blazing red eyes; use the myth of the Barghest to tie the dog in with the fey. Keep the cult, but make sure that the Master seems more than human. The hardest part is deciding what to do with Debbie. The original Manos has the little girl becoming one of the Master’s wives, which may not sit well with modern audiences. Does Debbie escape, leaving room for a sequel hook years later? Or is she indoctrinated into the cult? Or, given the fey background being woven in, is she exchanged for a changeling and sent out elsewhere?

As with the other movies examined this month, budget was an issue with Manos. However, giving the remake a huge budget would do it a disservice. Manos could easily be done by students with commercial equipment today. The remake needs a modest budget, but most of the details come from the world around us now. It’d be fitting to remake Manos with a smaller budget than most releases, but the studio shouldn’t turn cheap. Provide what is needed; don’t force the filmmakers to cut corners.

A remake of Manos isn’t impossible. Last year, Debbie’s actress, now known as Jackie Neyman Jones and her father, Tom, who played the Master, ran a successful Kickstarter campaign to film a sequel, MANOS Returns. There is an interest.

Ultimately, a remake of Manos: The Hands of Fate is possible. The effort to remaking the film isn’t so much trying to preserve the original as it is pulling out the good in what was an awful movie. Today’s filmmakers have access to so much more than what was available in 1966 that even a student film could do the work justice.

This article was originally published at Seventh Sanctum.

Thanks to our friends at Seventh Sanctum for letting us share this content.

See larger image Manos: The Hands of Fate [Blu-ray] (Blu-ray) Mike (Harold P. Warren) and Maggie (Diane Mahree), on a road trip with their daughter and family dog, take a wrong turn in Texas and become trapped at a weird lodge inhabited by a polygamous pagan cult. They soon find themselves in the middle of a power struggle between caretaker Torgo (John Reynolds), cult leader The Master (Tom Neyman), and two warring factions of the Master’s wives. As the family tries to escape, the worshipers of Manos decide their fate… MANOS: THE HANDS OF FATE, the sole directorial effort of Texas fertilizer salesman Harold P. Warren, perplexed even the most jaded Drive-In audiences and was deemed by many “the worst movie ever made”. Nearly lost, the original 16mm Ektachrome film elements have been finally unearthed and lovingly restored by Ben Solovey to create the definitive version of this accidental masterpiece. There’s no other movie like MANOS… now in HD with picture and sound unseen since 1966. Special Features: New 2K Restoration Audio Commentary Hands: The Fate of MANOS Featurette Restoring the Hands of Fate Featurette FELT: The Puppet Hands of Fate Featurette Manos: The Hands of Fate: Grindhouse Edition (Blu-ray ONLY Bonus) New From: $14.99 USD In Stock