• PDI Press

    PDI Press

    BETTY WHITE VS THE STUPID WORLD: The Movie

    PDI Press
    January 17, 2022 2

    Betty White Vs the Stupid World (Chapter Seven)

    PDI Press
    January 16, 2022 1

    Betty White Vs the Stupid World (Chapter Six)

    PDI Press
    January 15, 2022 3

    Featured

    BETTY WHITE VS THE STUPID WORLD: The Movie

    John E. Meredith
    PDI Press
    January 17, 2022 2
    • PDI Press Catalog
    • PDI Press Writers
      • Fiction
  • Columns A-D
    • A Fistful of Dollar Comics
    • ABCs of Horror
    • All Binge… No Purge
    • Anything Joes
    • Beautiful Creatures
    • Big Eyes Smart Mouth
    • Big Sleeps and Long Goodbyes
    • Cahiers du Horror
    • Dispatches From the Field
    • Drive-In Saturday
    • Dungeons & D-Listers
  • Columns F-P
    • The Final Girl
    • First Looks… Second Thoughts
    • The Flesh is Weak
    • Innocence and Experience
    • Lost in Translation
    • Marvel at the Movies
    • Muppets 101
    • Page to Screen
    • Popcorn Cinema
    • The Psycho Drive-In Podcast
    • Psycho Essentials: The ’80s!
  • Columns S-Z
    • Schlock & Awe
    • Shakespeare on Film
    • Shot for Shot
    • Sick Flix
    • Unnatural Selections
    • Versus
    • Video Word Made Flesh
    • We Got Lists
    • Women in Horror
    • The Xeno File
    • Zombies 101
  • Reviews

    Reviews

    Superman (2025)

    Movies
    July 10, 2025 21

    Final Destination: Bloodlines (2025)

    Movies
    June 26, 2025 8

    Predator: Killer of Killers (2025)

    Movies
    June 8, 2025 13

    Featured

    Superman (2025)

    Nate Zoebl
    Movies
    July 10, 2025 21
    • Books
    • Comics
    • DVD/Blu-ray
    • Movies
    • TV
    • Series
  • Interviews

    Interviews

    Interview with Indie Horror Master, Chris Bickel

    Interviews
    July 13, 2018 397

    David Black: Carnies, Carnage, and the Creative Chaos of Darkness Visible

    Interviews
    March 7, 2017 223

    Jaiden Kaine joins the Marvel Universe as new Luke Cage baddie, Zip

    Interviews
    September 29, 2016 8

    SDCC 2016 Interviews: The Cast and Creators of Batman: The Killing Joke

    Interviews
    July 28, 2016 61

    SDCC 2016 Interviews: The Cast and Creators of Syfy’s Van Helsing

    Interviews
    July 27, 2016 3

    Wondercon Interview: The Cast of Damien

    Interviews
    April 16, 2016 3

    Featured

    Interview with Indie Horror Master, Chris Bickel

    The Final Girl
    Interviews
    July 13, 2018 397
  • News

    News

    Regular Show: The Complete Series DVD is here!

    News
    February 9, 2025 20

    “PATER NOSTER AND THE MISSION OF LIGHT” UNLEASHES TERRIFYING UNDERGROUND HORROR – A PSYCHEDELIC CULT MOVIE EXPERIENCE COMING SOON!

    News
    November 15, 2023 74

    Breaking Down The Upcoming DC Studios Slate

    Shot for Shot
    February 1, 2023

    Featured

    Regular Show: The Complete Series DVD is here!

    Paul Brian McCoy
    News
    February 9, 2025 20
    • Trailers
  • Psychos
  • Shop
Breaking
  • Superman (2025)
  • Final Destination: Bloodlines (2025)
  • Predator: Killer of Killers (2025)
  • From the World of John Wick: Ballerina (2025)
  • RSS
  • Facebook
  • Instagram
  • Twitter
  • Tumblr
  • Who We Be
  • Contact
    Home
    Columns
    Lost in Translation

    Lost in Translation 245: The Pragmatic Adaptation

    Scott Delahunt
    Lost in Translation
    March 2, 2018

    Last week, during the analysis of the TV adaptation of The Dresden Files, I mentioned that pragmatism will play a factor in how a work gets adapted. There will be times when what the original work envisioned just cannot be translated over to a new medium, whether the cause is budget, technical limitations, or needs of the new medium. Pragmatism does not necessarily affect quality, provided that there’s effort put in to acknowledge not just the change but what was changed. The originals tend to be written works – novels, short stories, even comics – where there isn’t a limitation based on practicality. Words and pictures cost time and energy to create but can go beyond earthly limitations.

    Let’s start with budget, a big factor in making both movies and TV series. No studio has an unlimited source of cash and no movie has made an infinite amount of money. Budgets, through methods that seem like dark sorcery, are drawn up based on expected rates of return. Even then, there’s no guarantee of success. Big budget flops have occurred. Sometimes, the studio is just using the film for other reasons, as in the case of Alien From L.A., where the movie was meant to get money out of a country under international sanctions. Low budget works have to work around the restriction. The ITV Playhouse adaptation of “Casting the Runes” didn’t have the budget to show the demon or the climactic plane crash; instead, the teleplay relies on using the actors’ reactions to hint at what’s happening and getting the viewers’ imaginations to fill in the rest of the details. However, budget isn’t always a limiter in a production. Studios are aware of how much production elements cost and won’t try overextending capabilities.

    Where a budget may allow for an effect, technical limitations may be the bigger restriction. The advent of computer graphics in special effects has reduced the difficulty of staging effects. However, CGI isn’t a cure-all. Practical effects and props are still more cost effective than computer generated objects and easier for actors to interact with. In books, literary or comic, if a creator wants a character to own something specific, there is nothing to prevent the object from existing in the work. A custom piece of jewelry, an unusual and impractical weapon, or, as seen in The Dresden Files, a battered Volkswagen Beetle can easily be added. On screen, it’s not as easy. Jewelry can be approximated, but an exact likeness may not be possible because of the materials used. On TV, Harry Dresden’s Blue Beetle was replaced with a war surplus Jeep; the latter being more readily available than the now collector piece VW Beetle. The key when working around technical limitations is to remember why the original object was chosen. The adapted piece of jewelry should reflect the heritage the original has, from age to design. With the TV version of Dresden, the Jeep was of similar vintage as the Beetle, old enough that its mechanics were simple enough to not be affected by Harry’s tech bane nature.

    The needs of the new medium may cause changes that don’t make sense otherwise. Television and film are visual media, often not having a narrator. Even when there is a narrator, the insights provided are for what’s not shown, such as a character’s thoughts. In contrast, written works use words to paint scenes for the reader; the narrative carries the story. Whether the point of view is first person or third, the reader gets to see what the author wants to show. Film and TV default to third person, specifically, the cameras. Even DOOM, based on the first person video game, only had a short scene from that point of view. Audiences want to see the actors. And while writers can show what characters are thinking and feeling directly, on screen, the actors have to do the heavy lifting. In the Dresden books, Bob is a spirit in a skull with some limited ability to take over a cat’s body for short joyrides. On TV, though, a skull doesn’t do that much, and Bob would be, effectively, a disembodied voice. Giving Bob a body, though, allows the actors to play off each other, adding to the depth of the scene. Human actors are also far more convincing than cat actors, who may become difficult to work with when naptime hits.

    Another restriction placed on an adaptation by the needs of the new medium is time. Books don’t have time limits; readers read at their own pace. As long as the reader enjoys the work, there isn’t a problem. Television and movies, though, do have time limits. With TV, a work has to fit a thirty- or sixty-minute time slot as a series or a two-hour slot if a mini-series of movie of the week, plus leave time for advertising within the slot. Theatrical films have a minimum running time of around eighty to ninety minutes, any shorter and audiences won’t bother, and seldom run longer than two and a half hours. Longer films have happened but tend to be ones that will draw an audience because of the running time. The film adaptations of Harry Potter and the Philosopher’s Stone, the first and shortest of the Potter novels, still had to lose scenes to fit the allowed time, which also took into account the young age of the likely audience. Even when spread across a full television season, details can be lost because there’s just not enough time to show everything in a novel.

    Comic books run into similar. Unlike written novels, comics are a visual medium, but one with its own language. Comics are a series of panels, each one contributing to the story. Readers know how to fill in the details from one panel to another. Artists can compress time by showing a clock in two separate panels having a later time in the second. They can slow down time by repeating an image with minor changes between panels. Individual issues of a run may not fill the time of even a thirty-minute TV slot, but multi-part stories can work for feature film. The aesthetics of a comic book is difficult to pull off; Deadpool being a rare exception. A well-done adaptation from a comic can be done well, but the studio involved cannot be lulled by the fact that comics and film are both visual. They have separate tropes, sometimes similar but not always.

    Getting an adaptation perfect may not always be possible. The change in medium necessitates changes to the work. It’s in the how the change is done that will make the difference to an audience.


    This article was originally published at Seventh Sanctum.

    7S-Logo

    Thanks to our friends at Seventh Sanctum for letting us share this content.

    (Visited 81 times, 1 visits today)

    Related

    DeadpoolDoomLost in TranslationScott Delahunt

    FacebookTwitterPinterestEmail
    Previous Women in Horror: The Slumber Party Massacre (1982)
    Next The Shape of Water (2017)
    monsterid
    Scott Delahunt
    Lost in Translation
    By day, Scott Delahunt is an IT analyst, fixing problems and explaining operating systems for end users. By night, he takes his degree in Computer Science, his love of movies, his vast knowledge of tabletop gaming, his curiosity into how things work and becomes a geek!  Although he has nothing published professionally, Scott has written fanfiction, scripted an anime music video, play tested role-playing games, and applied his love of bad movies to Lost In Translation.  He has also helped put on an anime convention and organize bus trips to Anime North. In his spare time, he raises two cats to become Internet icons and maintains a personal blog, The Chaos Beast.

    Related Posts

    Lost in Translation 483: One More Trailer

    Scott Delahunt
    Lost in Translation
    July 11, 2025 1

    Lost in Translation 482: Examining Recent Trailers

    Scott Delahunt
    Lost in Translation
    June 27, 2025 4

    Daily Top Ten

    • superman-headerSuperman (2025) by Nate Zoebl
    • CSI-Cyber-102-headerCSI: Cyber 1.02 “CMND:\Crash” by Rick Shingler
    • a-knights-tale-06Lost in Translation 407: A Knight’s Tale (2001) by Scott Delahunt
    • i-spit-on-your-grave-09The Final Girl: I Spit on Your Grave (2010) by The Final Girl
    • LastLovecraft-cthulhuThe Last Lovecraft: Relic of Cthulhu (2009) by Alex Wolfe
    • heavy-metal-2000-headerDrive-In Saturday: Heavy Metal 2000 (2000) by Alex Wolfe
    • 80s-headerLost in Translation: The History of Adaptations, 1980-89 by Scott Delahunt
    • one-eye-headerPOPCORN CINEMA 23: THEY CALLED HER ONE EYE (aka,… by John E. Meredith
    • amazing-bulk-03The Amazing Bulk (2012) by Fred L. Taulbee Jr.
    • hellboy-headerBeautiful Creatures: The Case for a Hellboy Remake by Dan Lee
    400x400 GI Joe Funko Banner

    Weekly Top Ten

    • i-spit-on-your-grave-09The Final Girl: I Spit on Your Grave (2010) by The Final Girl
    • AT606-visionAdventure Time 6.06 “Breezy” by Dave Hearn
    • babylon-5-blu-ray-04Babylon 5 Complete Series Blu-ray Review by Paul Brian McCoy
    • superman-headerSuperman (2025) by Nate Zoebl
    • hills-have-eyes-02The Hills Have Eyes (1977) vs The Hills Have Eyes (2006) by Corin Totin
    • star-wars-headerLost in Translation: The History of Adaptations, 1970-79 by Scott Delahunt
    • 80s-headerLost in Translation: The History of Adaptations, 1980-89 by Scott Delahunt
    • men-in-blackLost in Translation: The History of Adaptations, 1990-99 by Scott Delahunt
    • a-knights-tale-06Lost in Translation 407: A Knight’s Tale (2001) by Scott Delahunt
    • LastLovecraft-cthulhuThe Last Lovecraft: Relic of Cthulhu (2009) by Alex Wolfe

    psychodrivein

    We came here to chew bubblegum and write intelligent reviews and commentary on cult TV and movies! And we're all out of bubblegum!

    Today at https://psychodrivein.com Superman (2025 Today at https://psychodrivein.com

Superman (2025)

Superman is proof that the DC film universe might actually have the perfect person in charge of charting their cross-franchise courses.
—
Read more of Nate’s review at the link in our profile!

#Superman #JamesGunn #DavidCorenswet #RachelBrosnahan #NicholasHoult #DC #DCU
    Today at https://psychodrivein.com Lost in Transl Today at https://psychodrivein.com

Lost in Translation 482: Examining Recent Trailers

Two new trailers dropped that are of interest to Lost in Translation: Spaceballs 2 and The Naked Gun!
—
Read more of Scott’s article at the link in our profile!

#LostInTranslation #Spaceballs2 #TheNakedGun #Trailers
    Today at https://psychodrivein.com Final Destinat Today at https://psychodrivein.com

Final Destination: Bloodlines (2025)

FINAL DESTINATION: BLOODLINES is a return to form for a franchise that never should have been on the brink of death.
—
Read more of Nate’s review at the link in our profile!

#FinalDestination #FinalDestinationBloodlines #AdamBStein #ZachLipovsky #KaitlynSantaJuana #TonyTodd
    Today at https://psychodrivein.com Anything Joes: Today at https://psychodrivein.com

Anything Joes: S02E29 - File Card Focus: Big Boa
 
Greg and Jaren return to take a hard look at Cobra’s one-man trainer: Big Boa! 
—
Watch the @AnythingJoesPod gang at the link in our profile!

#AnythingJoes #GIJoe #Cobra #BigBoa #FileCardFocus
    Today at https://psychodrivein.com The Psycho Dri Today at https://psychodrivein.com

The Psycho Drive-In Podcast: 28 Years Later

Paul and John are back with a new PSYCHO DRIVE-IN PODCAST with a brand-new review of 28 YEARS LATER plus a look back at the franchise, its themes, its innovations, and its impact on the genre!
—
Listen to the guys at the link in our profile!

#ThePsychoDriveInPodcast #28YearsLater #28WeeksLater #28DaysLater #DannyBoyle #AlexGarland #AlfieWilliams
 #AaronTaylorJohnson #JodieComer #RalphFiennes
    Today at https://psychodrivein.com Anything Joes: Today at https://psychodrivein.com

Anything Joes: Backstock Blacksite - Night Specter (2008)

In Backstock Blacksite, we open the classified crates and dig deep into Greg’s personal G.I. Joe overflow closet, where extras, variants, and forgotten figures wait to be unearthed.
—
@anythingjoespod #AnythingJoes #GIJoe #GIJoeClassified #NightSpecter #BackstockBlacksite
    Today at https://psychodrivein.com Predator: Kill Today at https://psychodrivein.com

Predator: Killer of Killers (2025)

With Predator: Killer of Killers, Predator fans are feasting, baby!!
—
Read more of Paul’s review at the link in our profile!

#Predator #PredatorKillerOfKillers #KillerOfKillers #DanTrachtenberg #LindsayLaVanchy #DamienCHaas #LouisOzawa #RickGonzalez #MichaelBiehn #JoshuaWassung #MichoRobertRutare
    Today at https://psychodrivein.com From the World Today at https://psychodrivein.com

From the World of John Wick: Ballerina (2025)

I can’t wait to see more Ballerina films. Seriously. I want one right now.

—

Read more of Paul’s review at the link in our profile 

#Ballerina #JohnWick #FromTheWorldOfJohnWickBallerina #AnaDeArmis #KeanuReeves #IanMcShane #AngelicaHuston #GabrielByrne #DavidCataneda #LenWiseman #ShayHatten #ChadStahelski #NormanReedus #LanceReddick
    Today at https://psychodrivein.com The Psycho Dri Today at https://psychodrivein.com

The Psycho Drive-In Podcast 05: Kill Bill Volumes 1 & 2 

Join Paul and John in the fifth episode of the Psycho Drive-In podcast, where they delve deep into the universe of Quentin Tarantino’s Kill Bill.
—
Listen to the guys at the link in our profile!

#PsychoDriveIn #ThePsychoDriveInPodcast #KillBill #QuentinTarantino #LadySnowblood #Arena #FemalePrisonerNumber701Scorpion
    Follow on Instagram

    Look Who's Talking

    Shawn EH
    Shawn EH - 5/4/2025
    Thunderbolts* (2025)
    Yep, very well done; avoiding the big flashy battle that these heroes (can any of you fly?)...
    Ideonova
    Ideonova - 12/26/2024
    Page to Screen: F. Paul Wilson’s The Keep
    Not living up to the source material? What source material? The book is a predictable, at times...
    Fred L. Taulbee Jr.
    Fred L. Taulbee Jr. - 8/17/2024
    Cahiers du Horror 03: Frank Henenlotter and The Brain that Wouldn’t Die
    I need to see that again. Maybe make it a double feature with All of Me. Steve Martin is someone you...
    RSSTwitterFacebookinstagramtumblr

    Archives

    Large_rectangle_336X280
    • PDI Press
      • PDI Press Catalog
      • PDI Press Writers
        • Fiction
    • Columns A-D
      • A Fistful of Dollar Comics
      • ABCs of Horror
      • All Binge… No Purge
      • Anything Joes
      • Beautiful Creatures
      • Big Eyes Smart Mouth
      • Big Sleeps and Long Goodbyes
      • Cahiers du Horror
      • Dispatches From the Field
      • Drive-In Saturday
      • Dungeons & D-Listers
    • Columns F-P
      • The Final Girl
      • First Looks… Second Thoughts
      • The Flesh is Weak
      • Innocence and Experience
      • Lost in Translation
      • Marvel at the Movies
      • Muppets 101
      • Page to Screen
      • Popcorn Cinema
      • The Psycho Drive-In Podcast
      • Psycho Essentials: The ’80s!
    • Columns S-Z
      • Schlock & Awe
      • Shakespeare on Film
      • Shot for Shot
      • Sick Flix
      • Unnatural Selections
      • Versus
      • Video Word Made Flesh
      • We Got Lists
      • Women in Horror
      • The Xeno File
      • Zombies 101
    • Reviews
      • Books
      • Comics
      • DVD/Blu-ray
      • Movies
      • TV
      • Series
    • Interviews
    • News
      • Trailers
    • Psychos
    • Shop
    • PDI Press
      • PDI Press Catalog
      • PDI Press Writers
        • Fiction
    • Columns A-D
      • A Fistful of Dollar Comics
      • ABCs of Horror
      • All Binge… No Purge
      • Anything Joes
      • Beautiful Creatures
      • Big Eyes Smart Mouth
      • Big Sleeps and Long Goodbyes
      • Cahiers du Horror
      • Dispatches From the Field
      • Drive-In Saturday
      • Dungeons & D-Listers
    • Columns F-P
      • The Final Girl
      • First Looks… Second Thoughts
      • The Flesh is Weak
      • Innocence and Experience
      • Lost in Translation
      • Marvel at the Movies
      • Muppets 101
      • Page to Screen
      • Popcorn Cinema
      • The Psycho Drive-In Podcast
      • Psycho Essentials: The ’80s!
    • Columns S-Z
      • Schlock & Awe
      • Shakespeare on Film
      • Shot for Shot
      • Sick Flix
      • Unnatural Selections
      • Versus
      • Video Word Made Flesh
      • We Got Lists
      • Women in Horror
      • The Xeno File
      • Zombies 101
    • Reviews
      • Books
      • Comics
      • DVD/Blu-ray
      • Movies
      • TV
      • Series
    • Interviews
    • News
      • Trailers
    • Psychos
    • Shop
    Type to search or hit ESC to close
    See all results
    Username
    Password
    Remember Me
    Lost password?
    Create an account
    Username
    Email
    Cancel
    Enter username or email
    Cancel