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Colossal (2017)

Colossal is a different kind of monster movie, that’s for certain. It’s got a dynamite premise that allows for plenty of different tones.
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Free Fire (2017)

Free Fire wants to be a scuzzy, crazy, fun movie that knows it’s trashy and revels in its bad taste and loony characters with nose-thumbing glee.
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Get Out (2017)

Get Out is a timely movie but also timeless, thanks to how brilliantly conceived, developed, and executed Peel’s movie performs.
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Split (2017)

The areas where Split is able to shine that would have normally doomed the Middle Period Shyamalan are in the realms of tone, execution, and ambition.
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Blair Witch (2016)

Much can be forgiven if a scary movie delivers the spine-tingling goods, and standing in the shadow of one of the biggest horror hits of all time is no easy proposition.
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Don’t Breathe (2016)

The suspense in Don’t Breathe is deliciously developed and tautly executed, taking a premise that sounds silly on paper and wringing every juicy suspenseful morsel out of it.