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Nate Zoebl is an avid film lover since he was yea-high to whatever people are yea-high to. He's written film reviews since he was 17 years old and is a proud member of the Central Ohio Film Critics Association (COFCA). He is an active screenwriter, educator, filmmaker with the award-winning group Edwin J. Hill, one-time playwright ("Our Town... Attacked by Zombies"), lover of bad movies thanks to a childhood fed by the likes of MST3K, perhaps the world's foremost scholar on the movies of Dr. Uwe Boll, and sometimes collection of coherent molecules.

Get Out (2017)

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Get Out is a timely movie but also timeless, thanks to how brilliantly conceived, developed, and executed Peel’s movie performs.

Split (2017)

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The areas where Split is able to shine that would have normally doomed the Middle Period Shyamalan are in the realms of tone, execution, and ambition.

Blair Witch (2016)

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Much can be forgiven if a scary movie delivers the spine-tingling goods, and standing in the shadow of one of the biggest horror hits of all time is no easy proposition.

Don’t Breathe (2016)

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The suspense in Don’t Breathe is deliciously developed and tautly executed, taking a premise that sounds silly on paper and wringing every juicy suspenseful morsel out of it.

Suicide Squad (2016)

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Suicide Squad is all empty posturing and posing, asking for plaudits about how edgy this cut-and-dry PG-13 movie must be with its mall Goth aesthetic and irreverent sense of good and evil.
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