Paul Brian McCoy is the Editor-in-Chief of Psycho Drive-In. His first novel, The Unraveling: Damaged Inc. Book One is available at Amazon US & UK, along with his collection of short stories, Coffee, Sex, & Creation (US & UK). He recently contributed the 1989 chapter to The American Comic Book Chronicles: The 1980s (US & UK). He also kicked off Comics Bulletin Books with Mondo Marvel Volumes One (US & UK) and Two (US & UK) and PDI Press with Marvel at the Movies: 1977-1998 (US & UK), Marvel at the Movies: Marvel Studios (US & UK), and Spoiler Warning: Hannibal Season 1 - An Unauthorized Critical Guide (US & UK). Paul is also unnaturally preoccupied with zombie films and sci-fi television. He can be found babbling on Twitter at @PBMcCoy.
Barbara Crampton’s career resurrection is simply amazing to behold. Not only is she staying true to the genre that helped to make her a cult icon, she’s breaking new dramatic ground and crafting performances that are some of the best of her career.
The Final Chapter uses a darker palate with heavier shadows, more jump scares (seriously, a shit ton of jump scares), and a more frenetic editing style that usually undercuts the impact of the action scenes.
The Eyes of My Mother takes a minimal cast, an isolated single location, and innovative approaches to representing both violence and psychology to create one of the best-looking and best-actualized low-budget horror films I've seen in years.
The film follows two drifters, a sociopath and his closeted sidekick, Duke and Boots, in what is a textbook study in the psychology of a sexual predator.