Paul Brian McCoy is the Editor-in-Chief of Psycho Drive-In. His first novel, The Unraveling: Damaged Inc. Book One is available at Amazon US & UK, along with his collection of short stories, Coffee, Sex, & Creation (US & UK). He recently contributed the 1989 chapter to The American Comic Book Chronicles: The 1980s (US & UK). He also kicked off Comics Bulletin Books with Mondo Marvel Volumes One (US & UK) and Two (US & UK) and PDI Press with Marvel at the Movies: 1977-1998 (US & UK), Marvel at the Movies: Marvel Studios (US & UK), and Spoiler Warning: Hannibal Season 1 - An Unauthorized Critical Guide (US & UK). Paul is also unnaturally preoccupied with zombie films and sci-fi television. He can be found babbling on Twitter at @PBMcCoy.
Ultimately, I didn't really feel that Pride and Prejudice and Zombies really brought all that much to the table beyond the novelty of its source material.
Barbara Crampton’s career resurrection is simply amazing to behold. Not only is she staying true to the genre that helped to make her a cult icon, she’s breaking new dramatic ground and crafting performances that are some of the best of her career.
The Final Chapter uses a darker palate with heavier shadows, more jump scares (seriously, a shit ton of jump scares), and a more frenetic editing style that usually undercuts the impact of the action scenes.