Paul Brian McCoy is the Editor-in-Chief of Psycho Drive-In. His first novel, The Unraveling: Damaged Inc. Book One is available at Amazon US & UK, along with his collection of short stories, Coffee, Sex, & Creation (US & UK). He recently contributed the 1989 chapter to The American Comic Book Chronicles: The 1980s (US & UK). He also kicked off Comics Bulletin Books with Mondo Marvel Volumes One (US & UK) and Two (US & UK) and PDI Press with Marvel at the Movies: 1977-1998 (US & UK), Marvel at the Movies: Marvel Studios (US & UK), and Spoiler Warning: Hannibal Season 1 - An Unauthorized Critical Guide (US & UK). Paul is also unnaturally preoccupied with zombie films and sci-fi television. He can be found babbling on Twitter at @PBMcCoy.
Childhood's End is forced to compress the timeframe of the story in order to keep our characters around for a while - an issue the novel has no interest in.
I thought it might turn into a way of finding redemption along the way - an alternative to self-abuse and violence - but it seems Jessica Jones is about subverting that idea as well.
The way Jessica Jones subverts what we've been trained to expect from a confrontation like this helps to establish a more powerful and mature psychological playing field.