Paul Brian McCoy is the Editor-in-Chief of Psycho Drive-In. His first novel, The Unraveling: Damaged Inc. Book One is available at Amazon US & UK, along with his collection of short stories, Coffee, Sex, & Creation (US & UK). He recently contributed the 1989 chapter to The American Comic Book Chronicles: The 1980s (US & UK). He also kicked off Comics Bulletin Books with Mondo Marvel Volumes One (US & UK) and Two (US & UK) and PDI Press with Marvel at the Movies: 1977-1998 (US & UK), Marvel at the Movies: Marvel Studios (US & UK), and Spoiler Warning: Hannibal Season 1 - An Unauthorized Critical Guide (US & UK). Paul is also unnaturally preoccupied with zombie films and sci-fi television. He can be found babbling on Twitter at @PBMcCoy.
Loathe as I am to criticise Shakespeare, I'm not sure this play is really all that well-balanced, although I'm not familiar with the text, so I'm not sure how much of it was adaptation.
There's a lot of fire and huge explosions, as well as quite a few nightmarish hallucinations as the citizens of Gotham are exposed to the Scarecrow's Fear Gas. And along the way, Batman even rescues a young Joffrey Baratheon.
This isn't just a team-up; it serves to move everyone forward to a new dramatic place from which to launch the next round of Marvel Studios films, as well as providing a launching point for the starts of new franchises.
Jon Favreau approached Avi Arad with the intention of making it a comedy, but luckily opted to make Iron Man instead. Then, Incredible Hulk director, Louis Leterrier, was shown concept art and offered his services, but Marvel turned him down.
That score was markedly lower amongst White Supremacists, who objected to Idris Elba's casting as a black Norse god and attempted to organize a boycott of the film.It had no effect.
Not only is this film set six months after the first film, through later interactions with Fury, we discover that it is occurring at the same time as The Incredible Hulk and that Stark's father was a founding member of S.H.I.E.L.D.