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    Bad Blood (2017)

    Paul Brian McCoy
    Movies
    October 12, 2017 20

    Cinemark Theaters and The Asylum have joined forces to present THURSDAY NIGHTS AT THE ASYLUM in theaters across the country, bringing underground and indie horror, thriller, sci-fi, and cult cinema to the masses. If you’re like me, you probably didn’t know this was happening.  But that’s why we’re here; to spread the gospel.

    For the third week of the series we head down under with Bad Blood, directed and written by David Pulbrook and based on a screenplay/story by Patrick Edgeworth, writer of Raw Deal (1977) and BMX Bandits (1983). We’re huge fans of Aussie film here at Psycho Drive-In, singing the praises of films like Murderdrome, From Parts Unknown: Fight Like a Girl, Wolf Creek (movies and TV series), Mad Max and its sequels, and Wyrmwood: Road of the Dead, as well as the horror-rock of David Black and Darkness Visible. And that’s just the stuff we’ve written about. Australian horror/thrillers going back as far as Wake in Fright (1971), Picnic at Hanging Rock (1975), Dead Calm (1989), and The Babadook (2014) are in our DNA, so I was very excited to check out Bad Blood.

    On the scale of Australian horror, from Dead Calm to Wyrmwood, this film falls squarely in the Dead Calm camp of innocent people tormented by a psychopath. And while you could describe Wolf Creek with the same language, Bad Blood prefers to avoid the schlock as much as humanly possible. In fact, it is remarkably mainstream and respectable, taking itself very seriously.

    Ultimately, that ends up being its greatest weakness, too.

    After an opening title sequence that is magnificently creepy, the film settles into what is a perfectly professional narrative about Vincent (Xavier Samuel doing his best Johnny Depp American accent), a writer with a troubled past struggling with writer’s block, his new girlfriend Carrie (Morgan Griffin), who is a veterinarian, I guess, and the mysterious figure stalking them both. The film does a good job of establishing uncertainty early, so when Samuel is revealed as the stalker, we’re initially wondering if he is Vincent’s split personality, perhaps some sort of Dark Half-esque Doppelganger, someone more Dario Argento-inspired, or – worst case scenario – his Evil Twin.

    Rather than keep the audience guessing, allowing tension to build to the climax where Vincent and Carrie head off to an isolated country home belonging to his editor, the mystery is revealed extremely early, and rather than keep another twist or two in its pocket for that isolated climax, we get a by-the-numbers approach that fails to maintain any suspense at all. There are even a number of clear opportunities in the final forty-five minutes that could have easily been used to take the story into more original, or at least more interesting areas, but they don’t amount to anything. At all.

    Pulbrook doesn’t even give us the titillation of sex/nudity or the shock of real gore to keep the viewers’ interest. What he does show is extremely vanilla. You could practically show this on daytime television with no cuts. Maybe a couple of bleeps for language, but to be honest, I can’t even remember any swearing.

    Bad Blood looks great and all the actors do excellent jobs with what they’re given. They’re just not given much. And without a decent script, we don’t even get the equivalent of the straightforward suspense of Dead Calm, instead getting just a bland exercise in futility.


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    Bad BloodCinemarkDavid PulbrookMorgan GriffinPatrick EdgeworthPaul Brian McCoyThe AsylumXavier Samuel

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    Paul Brian McCoy
    Co-Founder / Editor-in-Chief / Dreamweaver
    Paul Brian McCoy is the Editor-in-Chief of Psycho Drive-In. His first novel, The Unraveling: Damaged Inc. Book One is available at Amazon US & UK, along with his collection of short stories, Coffee, Sex, & Creation (US & UK). He recently contributed the 1989 chapter to The American Comic Book Chronicles: The 1980s (US & UK). He also kicked off Comics Bulletin Books with Mondo Marvel Volumes One (US & UK) and Two (US & UK) and PDI Press with Marvel at the Movies: 1977-1998 (US & UK), Marvel at the Movies: Marvel Studios (US & UK), and Spoiler Warning: Hannibal Season 1 - An Unauthorized Critical Guide (US & UK). Paul is also unnaturally preoccupied with zombie films and sci-fi television. He can be found babbling on Twitter at @PBMcCoy.

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