Another damn near perfect episode.

A shift in directors marks a slight dip in quality on the otherwise stellar miniseries Utopia.

Another week, another extremely enthusiastic review of Utopia from Kelvin and Paul.

Paul and Kelvin continue to be impressed by the new Channel 4 series Utopia.

In Utopia, it feels like even the lighter bits are dangerous and a little uneasy.

I almost wish I'd seen this before Richard II, if only to really appreciate his development as a film director.

I'm sure there is another brilliant and memorable Henry V out there, but this isn't it.

Loathe as I am to criticise Shakespeare, I'm not sure this play is really all that well-balanced, although I'm not familiar with the text, so I'm not sure how much of it was adaptation.

It turns out that The Dark Knight Rises is quite good.

That smile is forever associated with Loki in my mind now, too.

I have to admit, as a comics geek, when I first discovered that some of Shakespeare's plays had actual continuity, I got a bit excited!

A town left deserted.

Paul came back to life for a reason, but he's just not sure what that reason might be.

Up is down and black is white as Paul's family and friends struggle to cope in the aftermath of his accident.

As Paul's powers manifest themselves, his friendship with Mac and relationship with Jay are pushed to breaking point.

Neil goes underground to begin planning his fight back against the Fades and as Paul's terrifying visions continue, Neil takes him to see an ancient Fade, who foresees Paul's importance in the looming battle.

Paul is haunted by apocalyptic visions as a supernatural creature stalks his home town.

It was so bland and generic and vague and weak and rubbish.

Still trying to fulfill his destiny by becoming SuperHoodie, Simon saves Peter, a geeky comic-book nerd, from being mugged.

Bored with the direction in which his life is heading and still banned from athletics, Curtis decides to use his new gender-swap power so that he can compete again.