Lost in Translation

Suffice to say that Barbie is probably the best known doll worldwide, recognizable on sight.

With the end of the year approaching, it’s time to look back on how adaptations fared at the box office in 2022.

For the silver screen, 2023 will be a rebuilding year.

Get Smart, Again! is like meeting old friends after a long separation.

The plan in mind is to keep Star Wars, The Empire Strikes Back, and Return of the Jedi as the core trilogy.

It is too soon to know whether the remake of The Naked Gun will succeed.

There is potential in the new Quantum Leap. Time will tell if it can live up to it, but, so far, it has.

Cyberpunk: Edgerunners depicts a world that is a missed meal away from falling apart, with corporate power unchecked.

Obi-Wan Kenobi fills in the gap between episodes three and four of the Star Wars saga, expanding on key characters from the films.

Manos: The Talons of Fate works even if the reader hasn’t watched the original film.

The backstory given pre-credits is more or less what was given in the original, though not completely accurate.

Hopscotch details how a retired spy, Miles Kendig, dealt with his retirement and how his former employers, the CIA, reacted.

Ms. Marvel may be a character who deserves both the intimate story and the blockbuster movie.

Paramount is hoping to get audiences to forget the 2000 film with Dungeons & Dragons: Honor Amongst Thieves.

In 1988, Thames Television produced a six episode series for ITV based on the comic strip Andy Capp.

Fan works can give creators an insight into how a work is perceived by its audience.

Gilligan’s Island was escapism comedy, with everyday and weird science devices made from bamboo and coconuts.

The game has a heart, and that heart is Colonel Sanders.

Cloak & Dagger is a coming-of-age story with superheroes, a teen drama with superheroes, and works as such.

Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch was first published in 1990 and was a comedy about Revelations and Armageddon.