There's a lot of fire and huge explosions, as well as quite a few nightmarish hallucinations as the citizens of Gotham are exposed to the Scarecrow's Fear Gas. And along the way, Batman even rescues a young Joffrey Baratheon.
In Forever at least we had a cast capable of rising above the limitations of the story, and a coherent enough narrative that made the set-pieces entertaining.
I present to you the Buffy The Vampire Slayer Season 8 Motion Comic, which still hasn’t made a convincing argument for the format but does remind the viewer that this comic series is out there and very much worth reading.
You can get in a full round of cultural archaeology with this movie if you’re willing to take the time. It reflects interesting (if outdated) thoughts on crime and criminals, and the role of law enforcement.
The problems with the movie are again, multifaceted. Many of them are based in the movie’s failure to expand its scope beyond one-on-one dustups between mirror images.
Today we'll be looking at the film that turned around Marvel's cinematic fortunes, brought Hong Kong-style action (back) into the mainstream in a big way, and kept Stephen Dorff off the streets for another few months.
The plot is pretty frail, borrowing heavily from Mad Max. But the real purpose of this movie is to serve as a "greatest hits" for the series, showcasing fight scene after artery-busting fight scene.
Let me see if I can make sense of what I just said there: the tension-building aspects work so well because Dougherty establishes early on that his cast can bite it at any time (even little kids).
I’m tempted to say that this is targeted to kids and give it a pass on those merits, but that would be a slight to younger viewers who could be exploring richer DC productions from the back catalogue like JL:U or Batman: The Animated Series.