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    Lost in Translation

    Lost in Translation 140: Are We In A Cycle?

    Scott Delahunt
    Lost in Translation
    October 30, 2015

    During a discussion with Steve, the question whether there is a cycle happening, one first started in the Fifties. During the History of Adaptations, the Fifties were discovered to have a low number of original works, something that the Aughts shared. The Fifties also had a number of movie remakes, something the New Teens is seeing.

    Ten-commandments

    With the movies remade in the Fifties, the new versions took advantage of the change in filming technology. The Ten Commandments and Ben Hur: A Tale of Christ were both black and white silent films when they were released in the Twenties. Their remakes in the Fifties took advantage of the major advances in movie making – sound and colour. With both films being period pieces, nothing on screen needed to be changed beyond what was essential for the new technologies and grander scales available. The spectacle of both epics were enough to draw in the younger audience while those who saw the originals could see them again with the new dimensions of full colour and sound. Thirty years made a huge difference in the film industry.

    Fast forward to now. The entertainment news is filled with remakes. Just from the older news posts for Lost in Translation, I get the following list:
    Jem and the Holograms
    The Equalizer
    Ghostbusters
    Predator
    Indiana Jones
    Blade Runner
    Big Trouble in Little China

    That doesn’t include films like 21 Jump Street, remaking a TV series, and all the Ninties movies being remade like Stargate. Again, the difference is thirty years. The advances in film technology aren’t as obvious, though. The use of computers for special effects has grown over time, but not all the works being remade will benefit from the advance outside the budget. Cecil B. De Mille remade The Ten Commandments because of the sound and colour. The movies listed above and the others are being done because of nostalgia.

    It’s the thirty years that raised the question. Thirty years is enough time for a young man to work through the system to get to the point where he can make decisions on what to film. Thirty years ago was 1985, the middle of the decade with the most original popular works made. The chart from last week may help here.

    Breakdown-by-Decade

    As pointed out last week, part of the issue with the complaints about adaptations is that the Eighties and Nineties, where the original works outnumber the adaptations, were anomalous. Today, if someone wanted to watch a movie from the Eighties, it’s not difficult. Between television reruns, home video and online streaming, chances are good that a movie from the Eighties is available. In the Fifties, those options weren’t available. Movies from Hollywood’s early years might make an appearance on television or appear at repertory cinemas, but the ease of finding them did not exist like it does today.

    Is there a cycle restarting? It’s hard to tell. There isn’t enough data yet to make that call. The chart above shows that the New Teens are behaving in a similar manner to the Sixties, but this decade is only half over. A backlash against adaptations is building, but, again, the Eighties and Nineties were exceptions, not the norm, when it comes to original works. It is something to keep an eye on, though. If a cycle is repeating, noting the speed at which the elements appear helps work out how long a given segment will last.


    This article was originally published to Seventh Sanctum.

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    Thanks to our friends at Seventh Sanctum for letting us share this content.

    Seventh Sanctum is a partner in Crossroads Alpha along with Psycho Drive-In.

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    Scott Delahunt
    Lost in Translation
    By day, Scott Delahunt is an IT analyst, fixing problems and explaining operating systems for end users. By night, he takes his degree in Computer Science, his love of movies, his vast knowledge of tabletop gaming, his curiosity into how things work and becomes a geek!  Although he has nothing published professionally, Scott has written fanfiction, scripted an anime music video, play tested role-playing games, and applied his love of bad movies to Lost In Translation.  He has also helped put on an anime convention and organize bus trips to Anime North. In his spare time, he raises two cats to become Internet icons and maintains a personal blog, The Chaos Beast.

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