The Devil’s Experiment may have kicked off the Guinea Pig series but the second installment, Flower of Flesh and Blood, is where it really starts to come into its own, providing a far more gruesome and brutal entry. It also gained significant notoriety in the states back in 1991 when Charlie Sheen (yes, the Charlie Sheen) saw it, was convinced it was a real snuff film and reported it to the FBI. As laughable as this may seem, it’s not completely without merit, as the lack of story and hyper-detailed gore was specifically crafted to give the viewer the impression they are witnessing a real crime. Additionally, the film does start with text stating that the movie was actually a recreation of a genuine snuff film that writer/director Hideshi Hino had received from a crazed fan of his Manga work.
This story became the stuff of urban legend for years and Hino did become the subject of a police investigation because of his work. But despite what some persistent rumors claim, he never actually had to appear in court because of it and revealed years later in a Vice interview that the part about receiving an actual snuff film was a complete fabrication. So, notoriety aside, how does Flower of Flesh and Blood actually hold up as a film? Well, let’s discuss.
Much like Devil’s Experiment, this entry is also light on plot but does actually have a clear narrative structure. It starts with an unidentified woman being chloroformed and kidnapped as she walks alone at night, later waking up tied to a table in a windowless room where torture implements lie about. Her white-faced, Samurai helmet-wearing assailant quickly gives her a mysterious drug that will “turn her pain into ecstasy” before graphically disassembling her body with his crude torture implements. I won’t reveal too many details about what plot there is but suffice to say it does come to a thematically satisfying conclusion that also leaves the door open for a continuation of the twisted story.
The entire film may only be forty-two minutes but packed within that is more gore than you’ll see in many feature-length horror movies. It also achieves a level of graphic brutality that goes far beyond what most other films have the balls to portray and even thirty-two years later, the special effects still look amazingly real. This is largely due to the fact that Hino goes into great detail to show how slow and laborious the process of taking apart a body actually is. This is a level of detail that is often skimmed over in films but as anyone who’s broken down a chicken before knows, it takes a significant amount of effort to cut through bones and joints.
There are also numerous aspects beyond just the gore itself that make this film a very disturbing experience. For one, seeing a person who’s awake but not crying out in pain while someone mutilates their body is actually more disturbing in a way and is incredibly unsettling and surreal. There is also the scene where the white-faced Samurai shows off his “collection” of maggot-infested body parts while an eerie voice recites a poem about Hell in the background. It’s a simple and strange effect that works incredibly well to enhance the disturbing, surreal experience of the film.
The disc from Unearthed Films also includes a making-of featurette which is very interesting to watch after the film. Not only does it show the level of detail that went into crafting the amazing effects but also has outtakes showing the cast and crew joking around and bursting into laughter in-between takes. That itself is perhaps the most surreal part of the entire experience. All in all, a classic piece of horror cinema that’s worthy of its cult status and belongs in the collection of any serious gore hound.