THE FLESH IS WEAK 8: The Persistence of Vision John E. Meredith June 10, 2017 The Flesh is Weak You have the history of all the artists, writers, and filmmakers of the world behind you to shine a light upon the path.
XENOMORPHS ON FRESH AIR John E. Meredith May 20, 2017 Shot for Shot When someone looks at me and screams facehugger . . . or chestburster . . . well, that really hurts. Because they don't know me.
THE FLESH IS WEAK 7: Listening When A Monster Calls John E. Meredith May 14, 2017 The Flesh is Weak No one ever says the word cancer in the 2017 film A MONSTER CALLS, but that's what is killing thirteen-year-old Conor O'Malley's mother.
POPCORN CINEMA 41: THE FATE OF THE FURIOUS John E. Meredith April 22, 2017 Popcorn Cinema You could possibly categorize the first couple films in this series as badass, but . . . I can't decide which euphemism I want to use here.
POPCORN CINEMA 40: Mooning Nazis in the IRON SKY John E. Meredith April 15, 2017 Popcorn Cinema Well, the whole thing began in 2006, when George Bush was still the worst president we'd ever had.
The Flesh is Weak #6: HERE’S JOHNNY!: The Day I Was Possessed By Jack Nicholson John E. Meredith April 1, 2017 The Flesh is Weak He says that the moment we stop learning, we are dead. I still believe there are few truer words than those.
NPFO 01: SWING HEIL! Punching Nazis, Just Like In the Movies John E. Meredith March 17, 2017 Nazi Punks Fuck Off Once we're in enemy territory, as a bush-whackin' guerrilla army, we're gonna be doing one thing, and one thing only - killin' Nat-zees.
POPCORN CINEMA 39: BACK TO THE FUTURE AGAIN Part III John E. Meredith March 4, 2017 Popcorn Cinema The sound of ticking clocks is heard, getting louder and louder. Not all of them are perfectly synchronized.
Women in Horror: Michelle Rodriguez John E. Meredith February 20, 2017 Women in Horror Michelle Rodriguez was pretty much a badass from the beginning.
Women in Horror: Ginger Snaps John E. Meredith February 13, 2017 Women in Horror In this movie, the girls are showing us how good a werewolf movie can be.
POPCORN CINEMA 38: BACK TO THE FUTURE AGAIN Part II John E. Meredith February 11, 2017 Popcorn Cinema It could use some cleaning, Emmett Brown said, and I need an assistant for some of the experiments I've been working on.
Women in Horror: They Call Her One-Eye, or Thriller: A Cruel Picture John E. Meredith February 7, 2017 Women in Horror It comes off as rather art-house when it’s not being sleazy; like Jess Franco meets Ingmar Bergman.
POPCORN CINEMA 37: BACK TO THE FUTURE AGAIN John E. Meredith January 28, 2017 Popcorn Cinema The most irregular thing about Marty was his fascination with the local mad scientist.
POPCORN CINEMA 36: ASSASSIN’S CREED… John E. Meredith January 7, 2017 Popcorn Cinema This part is an actual fact: scientists claim to have identified "warrior" genes, which are linked to the uncooperative nature of some of society.
The Waiting Room: 2016 John E. Meredith January 3, 2017 Shot for Shot I turned on the radio, and, I swear, there were the voices of Leonard Cohen, Prince, Florence Henderson, and David Bowie, all of them entwined in this chorus, take me away and turn back the years, sing me back home before I die.
POPCORN CINEMA 35: The End of the World of MILLENNIUM John E. Meredith December 3, 2016 Popcorn Cinema It set up a different dynamic for the second season, which was helmed by Morgan and Wong while Chris Carter was busy on the first X-Files movie.
POPCORN CINEMA 34: Well, That Was Shocking John E. Meredith November 12, 2016 Popcorn Cinema Damn, dude, that was traumatic.
ABCs of Horror 2016 Day 28: V is for Max von Sydow John E. Meredith October 28, 2016 ABCs of Horror or Fifty Reasons Why An 87-Year Old Man Is Cooler Than You
ABCs of Horror 2016 Day 26: S is for Tom Savini John E. Meredith October 26, 2016 ABCs of Horror I almost killed Tom Savini. Seriously, I did. Just ask my friend, he was there.
THE FLESH IS WEAK #5: TAKE SHELTER John E. Meredith September 24, 2016 The Flesh is Weak There is a scene early in the 2011 film TAKE SHELTER that quietly sets the audience up for what's at stake.
