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    BETTY WHITE VS THE STUPID WORLD: The Movie

    PDI Press
    January 17, 2022 70

    Betty White Vs the Stupid World (Chapter Seven)

    PDI Press
    January 16, 2022 78

    Betty White Vs the Stupid World (Chapter Six)

    PDI Press
    January 15, 2022 77

    Featured

    BETTY WHITE VS THE STUPID WORLD: The Movie

    John E. Meredith
    PDI Press
    January 17, 2022 70
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    Good Boy (2025)

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    November 16, 2025 107

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    November 10, 2025 67

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    Good Boy (2025)

    Nate Zoebl
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    November 16, 2025 107
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    July 13, 2018 397

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    Jaiden Kaine joins the Marvel Universe as new Luke Cage baddie, Zip

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    The Final Girl
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    July 13, 2018 397
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    Regular Show: The Complete Series DVD is here!

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    February 9, 2025 102

    “PATER NOSTER AND THE MISSION OF LIGHT” UNLEASHES TERRIFYING UNDERGROUND HORROR – A PSYCHEDELIC CULT MOVIE EXPERIENCE COMING SOON!

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    November 15, 2023 74

    Breaking Down The Upcoming DC Studios Slate

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    February 1, 2023 69

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    Paul Brian McCoy
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    February 9, 2025 102
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  • Contact

    Author John E. Meredith

    Home
    john-e-meredith
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    John E. Meredith
    J. Meredith is a freelance writer currently working on his first novel while still trying to keep the lights on. He’s got too many interests to ever pursue them all, though he spends far more time with movies, music, and books than he really should. As a Halloween baby, he feels a natural tendency toward things dark, horrific, or at least black-and-white. Feel free to haunt him on his Facebook Page or on his Instagram accounts Scribe_69 and john_e_meredith.

    POPCORN CINEMA 36: ASSASSIN’S CREED…

    John E. Meredith
    Popcorn Cinema
    January 7, 2017 0 25
    This part is an actual fact: scientists claim to have identified "warrior" genes, which are linked to the uncooperative nature of some of society.

    The Waiting Room: 2016

    John E. Meredith
    Shot for Shot
    January 3, 2017 1 11
    I turned on the radio, and, I swear, there were the voices of Leonard Cohen, Prince, Florence Henderson, and David Bowie, all of them entwined in this chorus, take me away and turn back the years, sing me back home before I die.

    POPCORN CINEMA 35: The End of the World of MILLENNIUM

    John E. Meredith
    Popcorn Cinema
    December 3, 2016 0 8
    It set up a different dynamic for the second season, which was helmed by Morgan and Wong while Chris Carter was busy on the first X-Files movie.

    POPCORN CINEMA 34: Well, That Was Shocking

    John E. Meredith
    Popcorn Cinema
    November 12, 2016 0 15
    Damn, dude, that was traumatic.

    ABCs of Horror 2016 Day 28: V is for Max von Sydow

    John E. Meredith
    ABCs of Horror
    October 28, 2016 0 15
    or Fifty Reasons Why An 87-Year Old Man Is Cooler Than You

    ABCs of Horror 2016 Day 26: S is for Tom Savini

    John E. Meredith
    ABCs of Horror
    October 26, 2016 0 9
    I almost killed Tom Savini. Seriously, I did. Just ask my friend, he was there.

    THE FLESH IS WEAK #5: TAKE SHELTER

    John E. Meredith
    The Flesh is Weak
    September 24, 2016 2 19
    There is a scene early in the 2011 film TAKE SHELTER that quietly sets the audience up for what's at stake.

    POPCORN CINEMA 33: LASER MISSION, or Feminism With a Heaving Bosom

    John E. Meredith
    Popcorn Cinema
    September 17, 2016 0 87
    And she's crazy smokin' hot. So is it, like, right to think a feminist is hot?

    Advance Review: Supernatural: The Complete Eleventh Season Blu-ray

    John E. Meredith
    DVD/Blu-ray
    September 5, 2016 0 19
    Season Eleven plunges Sam and Dean into extreme peril as they face The Darkness, a sinister new menace unleashed upon the Earth.

    POPCORN CINEMA 32: You and the Shmoo

    John E. Meredith
    Popcorn Cinema
    September 3, 2016 0 23
    Naw, man. The Shmoo ain't jism . . . he's a little cartoon dude.

    A THING APART: The Nihilistic Morals of The Last House On the Left

    John E. Meredith
    Schlock & Awe
    August 30, 2016 0 56
    There couldn't have been a more appropriate movie than LAST HOUSE to greet the slow and painful end of the Vietnam era.

    POPCORN CINEMA 31: DEATH BED: THE BED THAT EATS

    John E. Meredith
    Popcorn Cinema
    August 20, 2016 0 11
    There was this guy named George Barry. He grew up in the same Detroit suburbs as Sam Raimi and Bruce Campbell. Like them, he was a huge fan of classic horror films and drive-in movies.

    THE FLESH IS WEAK #4: Writing With QUILLS

    John E. Meredith
    The Flesh is Weak
    August 13, 2016 0 45
    Despite all the bodily fluids on display here, QUILLS is more about the mind (and even the heart) than the flesh.

    THE FLESH IS WEAK #3: Memories of SAMSARA

    John E. Meredith
    The Flesh is Weak
    July 30, 2016 0 29
    Fricke and Magidson claimed that they avoided any overt political views in assembling SAMSARA, but sometimes reality can be very political.

    POPCORN CINEMA 30: Through the Whirlwind

    John E. Meredith
    Popcorn Cinema
    July 23, 2016 1 3
    See, what happened was that me and Cinema, we went to see FINDING DORY.

    THE FLESH IS WEAK #2: My Changing Faith In THE LAST TEMPTATION OF CHRIST

    John E. Meredith
    The Flesh is Weak
    July 16, 2016 0 22
    It made me want to shout, or to reach out and do something to stop it. That's powerful filmmaking.

    POPCORN CINEMA 29: Into the Whirlwind

    John E. Meredith
    Popcorn Cinema
    July 9, 2016 0 18
    Sometimes I think TWISTER was the worst thing that ever happened to weather movies.

    THE FLESH IS WEAK #1: FEARLESS

    John E. Meredith
    The Flesh is Weak
    July 2, 2016 0 22
    Adapted by Rafael Yglesias from his own novel, FEARLESS is a profound film that is as remote as the main character inhabiting it.

    POPCORN CINEMA 28: The Day My Kid Went Punk

    John E. Meredith
    Popcorn Cinema
    June 25, 2016 0 10
    If you wanna get attention, get laid, and shut all the old people up . . . punk rock, dude.

    Chinatown (1974)

    John E. Meredith
    Big Sleeps and Long Goodbyes
    June 23, 2016 0 37
    Chinatown was made long after the supposed end of the noir period, yet it thoroughly recreates the mood and style of film noir.
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