Nate Zoebl is an avid film lover since he was yea-high to whatever people are yea-high to. He's written film reviews since he was 17 years old and is a proud member of the Central Ohio Film Critics Association (COFCA). He is an active screenwriter, educator, filmmaker with the award-winning group Edwin J. Hill, one-time playwright ("Our Town... Attacked by Zombies"), lover of bad movies thanks to a childhood fed by the likes of MST3K, perhaps the world's foremost scholar on the movies of Dr. Uwe Boll, and sometimes collection of coherent molecules.
The Hunt might have been cursed with bad luck but it also might have the distinction of the last new movie in theaters in what is proving to be an increasingly challenged year of content.
Night Work is a fun, ribald little movie that has its own sense of charm, from its budgetary limitations to the expansive possibilities of its strange world.
I’m here to report that Dark Fate is the best of the sequels, a satisfying mix of action, character, and world building, but I’m also ready to let this series go away into its own dark fate.
Jay and Silent Bob Reboot is made strictly for the fans, and if you count yourself among that throng, you’ll likely find enough to justify a viewing, though it may also be one of diminished returns.
Parasite is an effortlessly impressive movie that blends tones, insights, and entertainment to create one of the more unique and pleasing film experiences of the year.
Ad Astra is more art film than thriller, more father-son reclamation than sci-fi, and more a drifting homage to Apocalypse Now in Space than something that can stand on its own merits.