Author Paul Brian McCoy

Revenge of the Sith is just an emotional void.

Attack of the Clones is an improvement over Phantom Menace, despite Anakin coming off as some sort of incel, stalker nightmare.

Jar Jar Binks nearly destroyed the toy line as well as the reviews for Phantom Menace.

All in all, Fast & Furious Presents: Hobbs and Shaw is the epitome of a popcorn movie.

Anna and the Apocalypse is the teen Christmas musical zombie horror comedy that you didn’t know you needed in your life.

The Dead Don’t Die doesn’t really succeed as a Jarmusch film or as a zombie film because it refuses to embrace either approach.

Lego DC Batman: Family Matters, is interesting for old school fans as it introduces the Lego world to the story of Jason Todd, otherwise known as Robin/Red Hood.

All Hail the Popcorn King makes it clear that Joe R. Lansdale is a Goddamn American Treasure.

While it lacks the visual power of the comic, Batman: Hush tightens up and improves on the original story.

Nekrotronic is, quite simply, a fantastic looking film and a helluva good time from start to finish.

The Boys Season One isn’t better or worse than the comic from which it spawned. It’s just a very different, very enjoyable, beast with a ton of potential.

Luz is to demonic possession films what Pontypool is to zombie films.

The puppets are the real stars of Critters Attack! and thankfully we get a heaping helping of them.

Sophie Turner, James McAvoy, Michael Fassbender and Jennifer Lawrence fire up an all-star cast in this spectacular culmination of the X-Men saga!

What you need to know going in, is that this first season of Titans is an adaptation of the first arc of The New Teen Titans.

Shot in South Carolina during a hurricane, Shed is one of those films that exemplifies the struggles and triumphs of indie filmmakers.

As far as directorial debuts go, The Girl in the Crawlspace is a strong one.

Overall, Godzilla: King of the Monsters is a triumph.

Scary Stories: A Documentary inspires going back to reread the series, making your own art, defending literature from censorship, and flying your horror freak-flag.

So, I’ve referenced Gilliam, Jodorowsky, Troma, Peter Jackson, Kafka, and David Lynch so far, and the finale brought the grotesque excess of Yoshihiro Nishimura’s Tokyo Gore Police. I should FUCKING LOVE this movie and want to have its babies.