A woman walks into the coffee house she walks into every morning for a coffee and pastry, but the people she knows are all acting weird, quiet, avoiding her, and there are two musicians standing by.
Death Race 2050 is a unique film in its own right, a remake of a film from a short story adaptation, during a similar political cycle, though generations apart, and put together with modern low budget effects.
Saying Duane and Belial are conjoined twins isn’t quite accurate and their true twin nature is even more scientifically disturbing with a side of psychology unique only to these brothers.
On a scale of Karloff/Boyle to DeNiro, Mullen is definitely closer to the Karloff/Boyle side, and she has a scream queen presence second only to Cassandra Elvira Petersen.
Think Blade Runner or even Robocop and then forget they exist for just a moment and recall if you can or put it in your queue: Nemesis, directed by Albert Pyun.
Cassandra Peterson, however, will always be the Hostess with the Mostess, the Queen of Halloween, the Mistress of the Dark, and for that we can never thank her enough.
