I have never found a film so instantaneously dull as Hellmouth.

Housebound is through and through one of the best films of the year no matter what genre you want to call it.

Nate Abernethy has trekked up to the great white North for the Toronto After Dark Film Festival.

Nate checks out some of the most hotly anticipated films of TIFF, including Alfonso Cuaron's Gravity.

Nate catches Ti West's VICE-documentary-except-not-a-VICE-documentary The Sacrament.

Slavery and cannibalism dominate Nate's third day at TIFF.

Nate catches the premier of a bleak British series and a live read of Boogie Nights featuring Dane Cook, Olivia Wilde, Jesse Eisenberg and more at TIFF day two.

Nate kicks off his TIFF coverage with a nude beach visit, some art, some punk rock and some dead cheerleaders.

I Give It A Year will make for a great Netflix watch that will entertain and amuse you and then slowly and completely fade from your memory.

Nate speaks with Buck Angel about gender identity, acceptance and trans rights in this enlightening interview for his new film, Mr. Angel.

Mr. Angel is a powerful and emotional portrayal of an incredibly interesting man.

Prince Avalanche is David Gordon Green's triumphant return to his indie roots, and perhaps his finest film to date.

At a certain point you have to accept V/H/S 2 is what it is: a rebellious but flawed horror effort that strives to entertain.

Big Joy is a film that can successfully celebrate a life while also admitting the negative impacts that life had.

We Cause Scenes is a film that is entirely impossible to dislike.

Scenic Route is fantastic… for about 10 minutes.