The low budget and smaller venue brought a genuine sense of honesty to the campy splatterfest musical and lived up to the soul -pun intended- of The Evil Dead and its cultural legacy.
All in all, I couldn't recommend this movie unless you just want to turn your brain off and watch pretty people run and jump in obviously fake environments, telling a story you already know.
Maybe “impact” is a good term to use to characterize the show as a whole. It’s never didactic or patronizing, it manages to maintain relevance without being too zeitgeisty.
More than this, the time-travelling and dimension-hopping address something that fans of The Flash know well: Flash is secretly the most powerful character in the DC Universe.
Much can be forgiven if a scary movie delivers the spine-tingling goods, and standing in the shadow of one of the biggest horror hits of all time is no easy proposition.
Most of the troublesome racial/social politics of Disney's original cartoon are removed from this version of the story, as are most of the imperialism/colonialism/racism of Kipling's original.