Continuing the look at fan works today with a Star Trek animated fan film, “The Quintain” by Curt Danhauser, part of his continuation of the animated series. Have a watch; it’s only twenty-three minutes long.

Lost in Translation has reviewed Filmation’s animated Star Trek, a series that is and isn’t considered canon, depending on the episode and how the studio feels any given day. “Yesteryear” is accepted as being part of Spock’s past, but other episodes haven’t been that embraced. For an animated series in theory aimed at a younger audience, the series touched on adult themes, turning the series into a continuation of the original Trek and an introduction into the franchise for pre-teens. The Filmation budget meant reuse of animated scenes and actions, to save time and money, but the restrictions allowed the production team to determine what was important for the episode.

With “The Quintain”, Danhauser wanted to do something for the 100th birthday of James Doohan, Chief Engineer Montgomery Scott on the original Trek and the voice of a number of characters on the animated series, including Lieutenant Arex, the Guardian of Forever, Koloth, Korax, and Kor. Danhauser goes further, playing all but three voices in “The Quintain”. The episode brings in a few elements from the movies, including Scotty’s nephew, Peter Preston, who appears in Star Trek II: The Wrath of Khan, adding some more depth to the relationship between the two.

Danhauser mimics the Filmation style well in the episode. The character designs, even for the new characters, would fit into an episode of the animated Trek. Danhauser uses animation to expand the diversity of the cast, adding more Federation species on to the Enterprise, something a live action budget would be hard-pressed to do. For a one-person studio, the Filmation style is an asset, providing a way to keep the animation under control.

“The Quintain” has character moments, action moments, and a satisfying twist. Danhauser caught the essence of Star Trek, live action or animated. The efforts and work as a one-person studio pays off in an entertaining episode that is almost indistinguishable from Star Trek: The Animated Series.


This article was originally published at Seventh Sanctum.

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