This episode of Alphas was written by co-creator Michael Karnow, and as we know, when a creator gets their script produced, it usually means it’s a pivotal episode. That’s the case here, for sure.
On the surface, however, it seems like your bog-standard episode, with an Alpha in trouble and our team called in to track them down. In this case, the Alpha is named Skylar and played by Sci-fi standard-bearer Summer Glau. She has the ability to McGyver up new technological devices with just about any materials at hand.
Somebody’s out to get her, though, so our heroes are called in to track her down since she, Dr. Rosen (David Strathairn) and Nina (Laura Mennell) have a history. Five years earlier, Skylar was asked to join the team, but she declined (she’s kind of an anarcho-punk) and has been on her own since then.
She’s really good at the autistics, robots, socially-awkward nerds and anti-social misfits, so it works. I just don’t know how to accurately evaluate her performances. I can only hope that the infamous “Summer Glau Curse” doesn’t hit Alphas like it has other shows she’s starred or guest-starred on.
But back to this episode.
We have a number of narrative threads going on here, and Karnow does a pretty good job of bringing them all home in the end. At the same time, we get a little more character development for Bill (Malik Yoba), some healthy attention paid to Nina, and Gary (Ryan Cartwright) gets even more independent.
I was expecting something more overt, but it was very subtle and we see the internal debate and eventual decision making process all through the non-verbal acting of Yoba. It’s good, confident writing complimented by good, confident acting that makes that even possible.
Gary’s journey this week is quite literally a journey. After he tells his mother all the Top Secret things he’s been up to, she freaks out and keeps him home, threatening to not allow him to return to Dr. Rosen’s care. But Gary’s having none of it.
Nina, once again, gets the short straw even as she gets more screen time. Instead of getting to see her character growth, we just get told how she used to be, in a particularly condescending moment between her and Rosen, and when she acts out, it’s almost entirely in the context of helping out Skylar rather than doing anything for herself.
It would be nice to get some character development for the ladies that defined them though independent action rather than through their emotional connections or compatibility with other characters. But I guess we’ve got to take what we can get at this point.
To be honest, I was a little worried about that. But after she makes her government loyalties clear at the end, I guess we can be sure Rosen doesn’t have some sort of secret Alpha Seduction Power.
Instead though, we find out that Sullivan isn’t the sympathetic balance to Agent Cley’s (Mahershala Ali) more aggressive and hostile stance against Alphas. She’s basically just playing good cop to his bad cop. This week, Rosen finds out they’re both still straight-up cops.
I’m not expecting this, just to be clear, but it would be nice.
As it is, “Catch and Release” is another very strong episode that not only provides a lot of interesting character development, but moves the show toward an interesting philosophical dilemma. I’m kind of expecting our Alphas to at least temporarily shift over to supporting Red Flag by the end of the season, before defining their own independent movement. By planting the seeds for that eventual possibility, even it never comes to pass, easily makes this another 4 star episode.