Paul Brian McCoy is the Editor-in-Chief of Psycho Drive-In. His first novel, The Unraveling: Damaged Inc. Book One is available at Amazon US & UK, along with his collection of short stories, Coffee, Sex, & Creation (US & UK). He recently contributed the 1989 chapter to The American Comic Book Chronicles: The 1980s (US & UK). He also kicked off Comics Bulletin Books with Mondo Marvel Volumes One (US & UK) and Two (US & UK) and PDI Press with Marvel at the Movies: 1977-1998 (US & UK), Marvel at the Movies: Marvel Studios (US & UK), and Spoiler Warning: Hannibal Season 1 - An Unauthorized Critical Guide (US & UK). Paul is also unnaturally preoccupied with zombie films and sci-fi television. He can be found babbling on Twitter at @PBMcCoy.
The film's narrative itself slowly adopts a hallucinogenic style, with long silences, slow-motion sequences, mind-bending fast-cut psychedelic imagery and then suddenly the medium becomes the message.
If you were on the fence about sticking with this show because you thought it was poorly written and you didn't care about any of the characters, this isn't going to be the episode to win you over.
Peter Strickland has crafted a love letter to cinema itself, specifically to the Italian giallo cinema of the 70s -- the world of Argento, Bava, Fulci, and more.
All in all, The Purge is a problematic film, wearing its politics on its sleeve and embracing nearly every cliché imaginable with the standard home invasion scenario.
This is a darkly fascinating and original story that doesn’t end well for anyone involved, but it has a lot of heart. It's good to see Jen and Sylvia Soska get a break and keep moving upward and onward.
It's the kind of thematic resonance that was missing from the last two episodes and helps to provide a bit more gravity without overtly sacrificing the family-friendliness.
This is exactly what I was hoping for with Gimple in charge. Quiet stories of madness and desperation, with horrible things happening for a reason, rather than just lurching out of the darkness.
But in the process of the film, each of the main characters either can't restrain themselves from murdering humans, do it in a dream state, or otherwise give in to their passionate animal side. And then everybody feels bad.
Not only are there some nice and scary bits scattered throughout the anthology, there are also some of the most bizarre and mind-boggling short films I've ever seen.