Paul Brian McCoy is the Editor-in-Chief of Psycho Drive-In. His first novel, The Unraveling: Damaged Inc. Book One is available at Amazon US & UK, along with his collection of short stories, Coffee, Sex, & Creation (US & UK). He recently contributed the 1989 chapter to The American Comic Book Chronicles: The 1980s (US & UK). He also kicked off Comics Bulletin Books with Mondo Marvel Volumes One (US & UK) and Two (US & UK) and PDI Press with Marvel at the Movies: 1977-1998 (US & UK), Marvel at the Movies: Marvel Studios (US & UK), and Spoiler Warning: Hannibal Season 1 - An Unauthorized Critical Guide (US & UK). Paul is also unnaturally preoccupied with zombie films and sci-fi television. He can be found babbling on Twitter at @PBMcCoy.
I've been known to complain about the lack of good science fiction cinema these days, but I suppose there's rarely been a time when there were consistently good sci-fi films filling the theaters.
Everything about this film is operating on all cylinders. It's funny, it's dramatic, and it never loses sight of what the audience wants from a Marvel Studios movie.
Whenever the show shifts gears and focuses on two or three characters alone in a room interacting, you can trust in the skills of the performers to make it work.
And then we're off into our new totally sincere and cynicism-free adventure, taking Riddick back to the basics in what is an action-packed showcase for Diesel.
Maybe Fright Pack isn't nearly the wallet-gouging money-grab it seems to be at first glance. Maybe it’s a way to trim the fat from the show and just grab the highlights.