Paul Brian McCoy is the Editor-in-Chief of Psycho Drive-In. His first novel, The Unraveling: Damaged Inc. Book One is available at Amazon US & UK, along with his collection of short stories, Coffee, Sex, & Creation (US & UK). He recently contributed the 1989 chapter to The American Comic Book Chronicles: The 1980s (US & UK). He also kicked off Comics Bulletin Books with Mondo Marvel Volumes One (US & UK) and Two (US & UK) and PDI Press with Marvel at the Movies: 1977-1998 (US & UK), Marvel at the Movies: Marvel Studios (US & UK), and Spoiler Warning: Hannibal Season 1 - An Unauthorized Critical Guide (US & UK). Paul is also unnaturally preoccupied with zombie films and sci-fi television. He can be found babbling on Twitter at @PBMcCoy.
The film does a good job accentuating Daniel's emasculation and possible psychological break before firmly establishing an otherworldly influence on the events in the house.
There's a lot to like here just in the concept alone, but the combination of Levine's clever script and Hoult's heartfelt performance that really brings Warm Bodies home.
Mancini's direction is sure-handed and effective, from the choice to shoot most of the film from Nica's wheelchair-bound eye-level to the choice of music cues.
Once you get yourself acclimatized to where Predacons Rising is coming from, it's a tightly-plotted, fast-paced action film that does a nice job of quickly amping up the tension and threat-level to Full-On Apocalyptic.
Of course there are booby-traps galore, tons of gore, and a strange guest-appearance by Alphas' Erin Way as the freaked-out Stockholm Syndrome victim Abby.
It all goes a bit off the rails as it steamrolls towards an action-packed conclusion involving more Nazi killing, a race against time, an impending nuclear strike, and some weird pseudo-science and occult madness.
Agents of S.H.I.E.L.D. is a throwback to the action/adventure shows that I grew up with. Shows like Buck Rogers, the A-Team, The Six Million Dollar Man, or Knight Rider even.
I also found it refreshing that in a zombie film landscape that thrives on an atheistic nihilism, [REC] 3: Genesis expands on the idea of the previous films that the zombies are a demonic infestation.
I've been known to complain about the lack of good science fiction cinema these days, but I suppose there's rarely been a time when there were consistently good sci-fi films filling the theaters.
Everything about this film is operating on all cylinders. It's funny, it's dramatic, and it never loses sight of what the audience wants from a Marvel Studios movie.