Zack Davisson is a freelance writer and life-long comics fan. He owned a comic shop in Seattle during the ’90s, during which time he had the glorious (and unpaid) gig as pop-culture expert for NPR. He has lived in three countries, has degrees in Fine Art and Japanese Studies, and has been a contributing writer to magazines like Japanzine and Kansai Time-Out. He currently lives in Seattle, WA with his wife Miyuki. You can catch more of Zack’s reviews on his blogJapan Reviewedor read his translations of Japanese ghost stories onHyakumonogatari Kaidankai.
Older and wiser now, I took the plunge and dove into this long-shunned Alex Toth production, and found an excellent, goofy, and surprisingly edgy late ‘60s cartoon.
But by the time of the seventh episode, "A Good Man Goes to War," the quality storytelling had won me over and I was totally hooked into Moffat’s vision. I saw how terrifying it is when the light-hearted man turns deadly serious.
Well as much as do tire of the amount of teen angst that radiates from the show, we do have realize that this is basically a high school setting with a cast in their early teens.
