Movies

Captain Marvel is missing a larger sense of vision and purpose, which is why it feels more like a throwback to those early days.

On the whole though, Captain Marvel is a very strong addition to the superhero genre.

The visual feast that this movie provides doesn’t stop with the sets, though.

This visual decadence of Battle Angel is the greatest reason to see it, especially on the big screen if able.

They Shall Not Grow Old is a painstaking restoration of footage from World War One to create a documentary that is without politics or propaganda.

To work, Velvet Buzzsaw needed to be 50% wilder and out of control.

Polar is such a thoroughly unpleasant film experience I was wondering if Lars von Trier had somehow made a comic book movie.

So, what are we to make of Steven Knight’s newest film, Serenity?

Just two years later, we now have the arrival of Glass, which works simultaneously as a sequel to both Unbreakable and Split.

Bird Box isn’t a movie worth strong feelings, good or bad.

Pop (2018), written and directed by J. Spencer, packs witty social commentary, grotesque special effects, and memorable scenes into a short 15-minute film.

Ultimately your view of Aquaman will come down to what you’re willing to forgive in the name of fun spectacle.

You Were Never Really Here takes the body of a story and whittles it down till there is barely a skeleton left.

Mortal Engines feels assembled from the many scattered pieces of other, better movies.

Spider-Man: Into the Spider-Verse is the best-animated film of the year and one of the best films of the year, full stop.

Thrillers can follow a type of rigorous formality sometimes, even the finest ones rarely stray from the preordained path.

Netflix might just be the best pasture yet for brothers Joel and Ethan Coen.

I cannot overstate how much I simply hate this movie’s title, Blue My Mind.

Writing about Rene Perez’s Death Kiss is a difficult prospect.

The Girl in the Spider’s Web gets caught in its own formulaic web.