Reviews

Ghostbusters: Afterlife will most assuredly be my favorite film experience of 2021.

Last Night in Soho is a beautifully shot and inventively edited story of love, fashion, ghosts, mental illness, and Sixties nostalgia.

Antlers is a film that truly delivers on every level except maybe the balance between psychological and supernatural horror.

In Smoke and Mirrors: The Story of Tom Savini (2015), we not only get a look at Savini’s professional life, but we also get a look at his personal life, past and present, with surprisingly candid reflections from Savini.

Visually and narratively, Brand New Cherry Flavor is a cornucopia of color, textures, gore, sexuality, and satire.

Dune is yet another visually stunning and gorgeously immersive visual experience from one of the greatest visual filmmakers working today.

The 13 Ghosts of Scooby-Doo is a legitimately bad cartoon, but it’s also close to Halloween, has Vincent Price and is currently being offered on Amazon Prime.

I need more, anything more, and Halloween Kills gives me too much of the same old same dead.

Yes, Midnight Mass is a tale of terror, but Flanagan almost exclusively reserves that for the final episode.

Shang-Chi might be just the right Saturday morning cartoon of a movie to introduce new people to the larger world of Marvel movies.

It’s not surprising then that The Green Knight would be a polarizing film of differing expectations.

As a second chance at franchise-making, The Suicide Squad is a brash, bloody, and irreverent retake and the best DCU movie yet.

Structurally, Pig seems to reinvent itself with every scene, providing new answers and insights as we unravel Rob’s past.

Black Widow is Marvel’s first theatrical release in almost two years and will likely benefit from some low expectations and eagerness to get back to the big screen spectacle of summer movies.

As far as the quality of action in The Tomorrow War, it’s a cut above thanks to director Chris McKay, making his live-action film debut.

This chapter in The Conjuring series marks several departures from the previous two films.

Army of the Dead has an easy concept that seems silly as well as begs the question, why we haven’t seen this kind of movie before?

Those Who Wish Me Dead reminds me of the vanishing mid-level thrillers that Hollywood used to crank out on a near weekly basis.

The new Mortal Kombat movie is fun, cool, bloody, and probably exactly what diehard fans would hope for from a big-screen rendition.

Chaos Walking has been shrouded under the ominous reputation of “troubled production” from its very inception.