Reviews

Tenet is a headache disguised as a movie.

I’m Your Woman does for the gangster/crime genre what You Were Never Really Here did for the loner revenge thriller.

Westworld Season Three is a streamlined, linear story that basically reinvents the show almost to the point of needing a new name.

Let Run serve as a prime example of how you can take a simple story and create a lean, mean thriller that provides doses of satisfaction and triumph.

Antebellum is divided almost equally into 30-minute thirds, and it’s the structure that helps to aid in its mystery while also stifling its larger implications.

Ultimately, Superman: Man of Tomorrow is bland, predictable, and pretty vanilla from start to finish.

So after the first three episodes of Season Two, The Boys is shaping up to be one of the best superhero shows on television. Again.

We didn’t need a third Bill and Ted big screen adventure but I’m happy that it still feels, even thirty years later, remarkably like Bill and Ted.

The movie Ava was never meant to have this title.

The Project Power playbook is pretty familiar and underwhelming in its creativity and development.

The new indie thriller is an uncanny and unexpected reflection of our uncertain times and it makes She Dies Tomorrow even more resonant.

The Painted Bird was a book I never expected to be adapted to film.

Palm Springs is a delightful new sci-fi rom-com bursting with imagination.

Space Force gives us five hours of comedy, where we can fantasize about a life that doesn’t so closely resemble hell.

Sing Yesterday for Me follows four characters intertwined by love in its various forms.

The Last Days of American Crime is a staggering waste of 150 minutes.

Carole & Tuesday is science fiction at its best, using the thread of music to give us a snapshot of the future.

Hi Score Girl, one of the many popular anime titles Netflix has picked up, leans heavily into nostalgia for its appeal.

So HBO’s Watchmen has the almost impossible job of telling a new story in this world without losing the flavor of the original comic.

With every conceivable level of filmmaking and storytelling, Verotika shows that Danzig is not remotely ready for the big screen.