Reviews

If there was ever a film that deserved to be seen on as big a screen as possible, it’s Godzilla vs. Kong.

Without a doubt, Zack Snyder's Justice League is the better film than Josstice League could have ever hoped to be.

Psycho Goreman is like a gloriously inappropriate Power Rangers episode for adults.

Bad Girls is a kaleidoscopic fever dream of rapid-fire cuts, over-the-top violence, psychedelic drug orgies, raging punk metal screams, and dashes of existential angst.

Shadow in the Cloud would have been better with a little more pruning, a little less Max Landis, and some tonal consistency.

Promising Young Woman is a definite conversation-starter and the first thing you might say upon its conclusion is a breathless exclamation of, “Wow.”

Possessor is a masterfully realized visual treat that manages to unnerve and disturb without any consideration or concern for the audience’s comfort and well-being.

Wonder Woman 1984 is fun, splashy, and doesn’t lose sight of its characters and their emotional states even as it elevates the world-annihilation stakes.

Tenet is a headache disguised as a movie.

I’m Your Woman does for the gangster/crime genre what You Were Never Really Here did for the loner revenge thriller.

Westworld Season Three is a streamlined, linear story that basically reinvents the show almost to the point of needing a new name.

Let Run serve as a prime example of how you can take a simple story and create a lean, mean thriller that provides doses of satisfaction and triumph.

Antebellum is divided almost equally into 30-minute thirds, and it’s the structure that helps to aid in its mystery while also stifling its larger implications.

Ultimately, Superman: Man of Tomorrow is bland, predictable, and pretty vanilla from start to finish.

So after the first three episodes of Season Two, The Boys is shaping up to be one of the best superhero shows on television. Again.

We didn’t need a third Bill and Ted big screen adventure but I’m happy that it still feels, even thirty years later, remarkably like Bill and Ted.

The movie Ava was never meant to have this title.

The Project Power playbook is pretty familiar and underwhelming in its creativity and development.

The new indie thriller is an uncanny and unexpected reflection of our uncertain times and it makes She Dies Tomorrow even more resonant.

The Painted Bird was a book I never expected to be adapted to film.