In THE CONJURING 2, we witness Burgess' mastery of the camera as a storytelling tool, doing much to scare the shit out of us with a simple pan or tilt.
The first season (1974) of the Saturday Morning children’s show Land of the Lost had time-traveling science that made more sense than 12 Monkeys makes at times.
Preacher continues to build on the strong start of the pilot by opening up its second episode with another quirky creative leap; this time, back to 1881.
The storytelling is lean and economical, with the visuals giving you all the information you need to see what's going on psychologically with our main character.
“Critical Mass” will be remembered because it’s the one that delivers a satisfying payoff to the central plot threads that The Expanse did a masterful job in building.
