The
History of Adaptations
Twenties
Thirties
Forties
Fifties
Sixties
Seventies
Eighties
Nineties
Aughts
Wrapping
Up
Now that the Teens are done, it’s time to look at the breakdown of popular movies by originals and adaptations. In 2015, Lost in Translation looked at the decade up to that year to wrap up the History of Adaptations series at the time. With five more years gone by, things have changed. Once again, I’m using the compiled list at Filmsite.org.
2010
Toy Story 3 – sequel. Pixar’s most popular series of films.
2011
Harry Potter and the Deathly Hallows, Part 2 – sequel and adaptation.
The last of the Harry Potter movies based on the first seven books.
2012
Marvel’s
The Avengers – adaptation.
The Dark Knight Rises – sequel of adaptation, The Dark Knight.
2013
The Hunger Games: Catching Fire – sequel and adaptation. Covers the
second book of The Hunger Games trilogy.
2014
American Sniper – adaptation of American Sniper: The Autobiography of
the Most Lethal Sniper in U.S. Military History by Chris Pyle.
2015
Star Wars: Episode VII – The Force Awakens – sequel. The first Star Wars
movie released after Disney bought Lucasfilm.
Jurassic World – adaptation. It’s a tough call, as it was marketed as a
sequel but doesn’t share much between the original Jurassic Park movies
or the book. It’s more, “What if Jurassic Park didn’t have the dinosaur
break-out shown in the book and movies?”
Avengers: Age of Ultron – sequel of adaptation. The Marvel movies that
led up to this release didn’t make the list.
2016
Rogue One: A Star Wars Story – spin off. The first of several films
meant to look at other parts of the Galaxy Far Far Away that aren’t part of the
main Skywalker saga.
Finding Dory – sequel of original. The second Pixar film on the list for
the Teens.
2017
Star Wars: Episode VIII – The Last Jedi – sequel.
Beauty and the Beast – remake of adaptation. Part of Disney’s series of
live action remakes of their animated classics.
Wonder Woman – adaptation. The second DC property to make the list.
2018
Black Panther – adaptation. Diversity matters.
Avengers: Infinity War – sequel of adaptation.
Incredibles 2 – sequel. Another Pixar film, this time fourteen years
after the original.
Jurassic World: Fallen Kingdom – sequel of adaptation.
2019
Avengers: Endgame – sequel of adaptation
The Lion King – remake. Computer animated remake with photo-realistic
characters.
Toy Story 4 – sequel of original and fourth of the series to
be mentioned in the History series.
Captain Marvel – adaptation.
Disney is a big winner, with fifteen films listed above. The list breaks down to six adaptations, six sequels of original movies, five sequels of adaptations, two movies that are both sequels and adaptations, and one spin-off. There are no original movies on the above list, the worst showing for any decade. Since popular movies tend to stay in the pop subconscious, the backlash against adaptations has a point. That’s not to say that there haven’t been popular original movies. Us was knocked out of the top ten of 2019 by The Rise of Skywalker in the final weeks. If anything, the Teens was the decade of the blockbuster, big budget films.
Superhero films were popular, with nine total in the list, including the one not based on any comic book character. Superhero films are filling the niche that Westerns once had, becoming almost ubiquitous. The trend of adapting Young Adult novels that heralded the start of the decade faded; few YA novels ever had the buzz that Harry Potter and The Hunger Games had.
Gone from 2015’s list are Alice in Wonderland, Iron Man 2, Transformers: Dark of the Moon, The Hunger Games, Iron Man 3, Frozen, Despicable Me 2, Guardians of the Galaxy, Inside Out, and Furious 7. The Teens’ top grossing movies come mainly from the latter half of the decade. Part of the losses were to be expected; as the decade continued, more movies had opportunity to outperform what had already come. But the latter half of the Teens had more blockbusters, more record breaking grosses than the first half. Some of it can be chalked up to Disney’s marketing department. The rest of the explanation needs some further study.
As the new Twenties dawn, adaptations hold ground. At this point, it’ll take a sleeper hit to get studios to put the money they do for adaptations behind an original, untested work. Risk avoidance means original works won’t have the spectacle of an adaptation. It may take a well-known name to get an original work done to the same level at this point. For the next few years, expect adaptations to get the lion share of budgets and marketing.
This article was originally published at Seventh Sanctum.
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