Psycho Goreman (2021) Nate Zoebl February 12, 2021 Movies, Reviews Psycho Goreman is like a gloriously inappropriate Power Rangers episode for adults.
Advance Review: Bad Girls (2021) Paul Brian McCoy February 9, 2021 Movies, Reviews Bad Girls is a kaleidoscopic fever dream of rapid-fire cuts, over-the-top violence, psychedelic drug orgies, raging punk metal screams, and dashes of existential angst.
Sundance Film Festival 2021: Judas and the Black Messiah (2021) Peterson Hill February 4, 2021 Shot for Shot The standout performance in Judas and the Black Messiah is Kaluuya as Fred Hampton.
Anything Joes: Adroit Theory G.I. Joe Glass Set Unboxing Greg Engle February 4, 2021 Anything Joes Greg takes a quick look at the recently released Adroit Theory 7 piece glassware set.
Sundance Film Festival 2021: Ailey (2021) Peterson Hill February 3, 2021 Shot for Shot Ailey might not break any narrative and cinematic ground as a documentary, but it is a gorgeous evocation of artistry.
Anything Joes: Top 10 G.I. Joe Classified Figures of 2020! Greg Engle February 3, 2021 Anything Joes Greg & Jaren share their thoughts on the top 10 best releases from the G.I. Joe Classified line last year.
Shadow in the Cloud (2020) Nate Zoebl February 2, 2021 Movies, Reviews Shadow in the Cloud would have been better with a little more pruning, a little less Max Landis, and some tonal consistency.
Sundance Film Festival 2021: Jockey (2021) Peterson Hill February 1, 2021 Shot for Shot Clint Bentley’s sophomore effort, Jockey, is a handsome and elegant character study that finds an aging horse jockey towards the end of his career.
Sundance Film Festival 2021: Passing (2021) Peterson Hill February 1, 2021 Shot for Shot Passing is an extraordinary directorial debut.
Anything Joes: S01E10 – Winterfest Greg Engle February 1, 2021 Anything Joes Greg and Jaren recount their time at the first G.I. Joe Convention of 2021, Winterfest.
Sundance Film Festival 2021: Coming Home in the Dark (2021) Peterson Hill January 31, 2021 Shot for Shot James Ashcroft’s feature length directorial debut, Coming Home in the Dark, shares DNA with the works of Michael Haneke.
Sundance Film Festival 2021: Eight for Silver (2021) Peterson Hill January 31, 2021 Shot for Shot Sean Ellis’ Eight for Silver is being referred to as a werewolf story, but that doesn’t seem quite right.
Sundance Film Festival 2021: Mass (2021) Peterson Hill January 31, 2021 Shot for Shot Fran Kranz’s directorial debut, Mass, could take place anywhere.
Sundance Film Festival 2021: In the Earth (2021) Peterson Hill January 30, 2021 Shot for Shot Yes, In the Earth was shot quickly, but this doesn’t feel cobbled together in the slightest.
Sundance Film Festival 2021: How it Ends (2021) Peterson Hill January 30, 2021 Shot for Shot The pandemic isn’t exactly mentioned in How it Ends, but it’s nearly impossible to not sense the responsibility the filmmakers felt.
Sundance Film Festival 2021: One for the Road (2021) Peterson Hill January 29, 2021 Shot for Shot The latest film from Baz Poonpiriya, One for the Road, is glossy and overwrought, wringing the audience for every tear duct imaginable.
Sundance Film Festival 2021: Censor (2021) Peterson Hill January 29, 2021 Shot for Shot As part of the Midnight screenings at this year’s Sundance, Censor is fun, but never quite as wild as what it’s a pastiche of.
Sundance Film Festival 2021: Coda (2021) Peterson Hill January 29, 2021 Shot for Shot Coda might have a subplot or two too many, but Heder’s portrait of a small town is lived in without feeling cloying.
Page to Screen: F. Paul Wilson’s The Keep Paul Brian McCoy January 24, 2021 Page to Screen If there was ever a film that deserved a big-budget remake, it’s The Keep, although I think it’s tailor made for a prestige TV series.
Lost in Translation 371: Spitting Image Scott Delahunt January 15, 2021 Lost in Translation One of the remakes, Spitting Image, may have been needed, a shot in the arm to handle current affairs.
